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A01=Enrico Terrone
A01=Luca Bandirali
Age Group_Uncategorized
Age Group_Uncategorized
art criticism
art of television
Author_Enrico Terrone
Author_Luca Bandirali
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Category1=Non-Fiction
Category=AFKV
Category=APT
Category=ATJ
Category=HPN
Category=JBCT
Category=JFD
Category=QDTN
complex television
conceptual art
conceptual narrative
COP=United States
critical television studies
cultural studies
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eq_art-fashion-photography
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film studies
Language_English
media studies
narrative
narrative theory
ontology of art
PA=Available
philosophy of art
philosophy of film
poetics of television
Price_€50 to €100
PS=Active
quality television
semiotics
serial narrative
softlaunch
television studies
visual studies

Product details

  • ISBN 9781498597562
  • Weight: 404g
  • Dimensions: 162 x 228mm
  • Publication Date: 08 Nov 2021
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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What is a television series? A widespread answer takes it to be a totality of episodes and seasons. Luca Bandirali and Enrico Terrone argue against this characterization. In Concept TV: An Aesthetics of Television Series, they contend that television series are concepts that manifest themselves through episodes and seasons, just as works of conceptual art can manifest themselves through installations or performances. In this sense, a television series is a conceptual narrative, a principle of construction of similar narratives. While the film viewer directly appreciates a narrative made of images and sounds, the TV viewer relies on images and sounds to grasp the conceptual narrative that they express. Here lies the key difference between television and film. Reflecting on this difference paves the way for an aesthetics of television series that makes room for their alleged prolixity, their tendency to repetition, and their lack of narrative closure. Bandirali and Terrone shed light on the specific ways in which television series are evaluated, arguing that some apparent flaws of them are, indeed, aesthetic merits when considered from a conceptual perspective. Hence, to maximize the aesthetic value of television series, one should not assess them in the same framework in which films are assessed but rather in a distinct conceptual framework.

Luca Bandirali works at the department of cultural heritage at the Università del Salento.
Enrico Terrone is associate professor of aesthetics at the Università di Genova.

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