Concepts of Time in Post-War European Music

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20th Century Music
A01=Aaron Hayes
Aaron Hayes
Abstract Dimensionality
Adorno
Adorno's Philosophy
Adorno's philosophy of music
Adorno’s Philosophy
Ashgate Studies in Theory and Analysis of Music After 1900
Author_Aaron Hayes
avant-garde composers
Boulez
Category=AV
Category=AVA
Compositional Patterns
Disengages
Eighth Notes
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
European music
European's musical world
Follow
Held
Iannis Xenakis
Integral Serialism
Karel Goeyvaerts
Knit
Messiaen
Messiaen's Class
Messiaen's Music
Messiaen's Thought
Messiaen’s Class
Messiaen’s Music
Messiaen’s Thought
Music & history
Music & Philosophy
Music Theory
musical analysis
musical practice
musical temporality
Musical Time
philosophical aesthetics
philosophical discourses
Post-War
post-war music
postwar European music philosophy
rhythm theory
serialism analysis
Sixteenth Notes
Smooth
Smooth Time
Stockhausen
Striated Time
Subjective Experiential Time
theology
time
Timeless
twentieth-century composition
Viennese
Webern's Music
Webern’s Music
Woodwind Quintet
World War II

Product details

  • ISBN 9780367191924
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Oct 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Concepts of Time in Post-War European Music gives a historical and philosophical account of the discussions of the nature of time and music during the mid-twentieth century.

The nature of time was a persistent topic among composers in Paris and Darmstadt in the decades after World War II, one which influenced their musical practice and historical relevance. Based on the author’s specialized knowledge of the relevant philosophical discourses, this volume offers a balanced critique of these composers' attempts at philosophizing about time. Touching on familiar topics such as Adorno’s philosophy of music, the writings of Boulez and Stockhausen, and Messiaen’s theology, this volume uncovers specific relationships among varied intellectual traditions that have not previously been described.

Each chapter provides a philosophical explanation of specific problems that are relevant for interpreting the composer’s own essays or lectures, followed by a musical analysis of a piece of music which illustrates central theoretical concepts.

This is a valuable study for scholars and researchers of music theory, music history, and the philosophy of music.

Aaron Hayes is an independent scholar who teaches music in Northern Idaho. He completed his PhD in music at Stony Brook University in New York, 2016.

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