Conceptualizing Music and Revolution in the Soviet Union, 1917–1930s

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A01=Jari Parkkinen
Author_Jari Parkkinen
Category=AVLA
Category=NHD
conceptual history
cultural modernity
Democracy
East West cultural exchange
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eq_bestseller
eq_history
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eq_music
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eq_nobargain
eq_non-fiction
European cultural ideas
Music history
music ideology
Music politics
narod theory
political discourse analysis
Pre-revolutionary Russia
Revolution
Russian area studies
Russian Music
Soviet Culture
Soviet Music
Soviet music conceptual debates
Soviet Union

Product details

  • ISBN 9781032553764
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 22 Jan 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book offers an illuminating account of the development of Soviet music and music political discussions in the 1920s and the 1930s. With its innovative conceptual historical approach, the work examines the discussions on Soviet music in close relation both to pre-revolutionary cultural ideas of Russia and political demands of the newly established Soviet state. By analyzing the use and transformations of such political concepts as democracy, people, Russia, and Europe in the context of Soviet music, the book sheds light on the complex negotiations on the role of music and culture in a revolutionary society. Consequently, the idea and the concept of the ‘revolution’ itself comes to be seen in a new light. Furthermore, as the key political concepts in the Soviet Union were the same as in other modern societies of the early 20th century, the book proposes that Soviet cultural ideas should not be viewed in isolation but rather in a close dialogical connection with the cultural ideas in other parts of Europe. The book is beneficial to scholars and students on Russian and Soviet music, music history, Soviet political and cultural history, and Russian area studies.

Jari Parkkinen completed his PhD at the University of Jyväskylä, Finland, in 2022.

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