Concord in Massachusetts, Discord in the World
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A01=Jannika Bock
Amerikanische Kultur
Author_Jannika Bock
Category=AVA
Category=DSBF
Category=DSBH
Category=GTM
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Product details
- ISBN 9783631584132
- Weight: 380g
- Dimensions: 148 x 210mm
- Publication Date: 10 Oct 2008
- Publisher: Peter Lang AG
- Publication City/Country: CH
- Product Form: Paperback
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«Reading Thoreau’s Journal, I discover any idea I’ve ever had worth its salt,» notes the American composer John Cage in 1968. Upon reading the words of nineteenth-century nature philosopher Henry Thoreau, Cage is immediately fascinated with the Transcendentalist’s ideas, in particular his views on music and silence. Recognizing his own beliefs in Thoreau’s writings, Cage began to rely heavily on the thoughts of the nineteenth-century man and implement them as the basis for his own compositions – both musical and written. Drawing on the complete oeuvres of Cage’s and Thoreau’s written works, this book surveys the intertextual relation between the writings of the two men. In the juxtaposition of these authors’ aesthetics, this book reveals surprising overlaps in the thoughts of Cage and Thoreau.
The Author: Jannika Bock holds a Master of Arts and Ph.D. from the University of Hamburg (Germany). She studied American Literature and Culture as well as Musicology, spending several semesters at North American universities, including Harvard University, Smith College, Cornell University and Naropa University.
