Confessional Video Art and Subjectivity

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A01=Jaye Early
Alan Currall
art psychology
Author_Jaye Early
Auto-fiction
Bob Flanagan
Bruce Nauman
Category=ABA
Category=AFKV
Category=AGA
Category=ATN
Chris Burden
confessional art
Dani Marti
Elke Krystufek
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
Foucault
Franko B
Gillian Wearing
Gina Pane
Lynda Benglis
Michael Curran
performance culture
performativity
Ralph Lemon
Sadie Benning
Sam Taylor-Wood
subjectivity
technologies of the self
time-based art practices
time-based media art
Tino Sehgal
Vito Aconci

Product details

  • ISBN 9781350400245
  • Dimensions: 156 x 234mm
  • Publication Date: 23 Jul 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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This is the first book of its kind to examine the development of the confessional subject in video art and demonstrate how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society. In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation.

Analysing a diverse selection of case studies from the 1960s up to the present day, covering the work of Yoko Ono, Gillian Wearing, Ryan Trecartin, Tracey Emin, Anatasia Klose, and Heath Franco, among others, the book brings together theory and practice to look afresh at contemporary video art through a Foucauldian lens. It also brings the analysis of video art up to date by showing how social media and digital self representation has informed and further politicized time-based art practices.

Confessional Video Art and Subjectivity shows how forms of confessional discourse not only play an important function in the construction of subjectivity but also open spaces for personal resistance and agency within contemporary video art. As a result, it offers researchers of contemporary art practice, and media and cultural studies, an updated framework through which to view this constantly-evolving genre and a deeper understanding of wider contemporary video practices.

Jaye Early is a Lecturer in the School of Art & Design at UNSW Sydney, Australia.

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