Confessions of the Nun of St Omer

Regular price €122.99
A01=Lucy Cogan
Author_Lucy Cogan
Bosom Friend
Category=D
Category=DSBF
Category=DSK
Category=FBC
CAVENDISH SQUARE
charlotte
Chief Delight
Clasping
conservative moral philosophy
Countess
dacre
Delicacy
Dim
eq_bestseller
eq_biography-true-stories
eq_classics
eq_fiction
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fairy
false
False Sentiment
female desire exploration
Follow
Free Agent
French Revolution debate
Held
Imaginary Crime
Mankind
nineteenth-century social norms
Pensive Features
Prey
radical new philosophy critique
Rational Delight
regions
Romantic Cottage
Romantic era literature
ROSA
Scrupulous Delicacy
sentiment
sex
Sunken Eyes
thou
unhappy
Unknown Correspondent
Wandering
WIGMORE STREET
wilt
women's writing
Young Man

Product details

  • ISBN 9781848935303
  • Weight: 408g
  • Dimensions: 156 x 234mm
  • Publication Date: 17 Feb 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

Charlotte Dacre’s debut novel Confessions of the Nun of St Omer (1805) was a bestseller in its day, launching the career of a woman who would go on to become one of the nineteenth century’s most notorious female novelists. The work tells the story of the wilful Cazire, who recounts her passionate and destructive youthful adventures from the convent where she now lives in seclusion. Although Dacre’s fame, then and now, rests largely on her sensationalist plots and portrayal of sexually self-possessed female villains, Confessions of the Nun of St. Omer shows a different side to her writing, one that is engaged in the political debate surrounding the French Revolution and eager to uphold the conservative moral line. Indeed, in many ways the novel strives to exemplify the moral and social orthodoxies of its time – dealing with themes of education, passion, seduction and the dangers of the radical ‘new philosophy’. Yet even at this early stage of her career the author’s frank exploration of the power of female desire reveals a willingness to experiment with themes left untouched by more conventional Romantic era novelists, themes that would dominate her writing for years to come.

This edition of Charlotte Dacre’s book is based on the Chawton House Library copy of the text from 1805 and contains textual notes. The book will be of interest to those researching the Gothic, women’s writing and the development of the nineteenth-century novel.

Lucy Cogan is Lecturer in the School of English at Queen's University Belfast, where her research focuses on gender and radicalism in the Romantic era and women's writing in the long eighteenth century. She is particularly interested in the ways in which language can be used both to encode and resist systems of oppression and subjection. She is currently revising her thesis for publication as a monograph entitled 'William Blake and the Politics of Failure: The Poetry of the Mid-1790s.'