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19th-century Spanish fiction
A01=Adela Zamudio (1854-1928)
Adela Zamudio
allegory
Antonia
Armando Aviles
Author_Adela Zamudio (1854-1928)
Bolivia
Bolivian feminism
Bolivian history
Bolivian literature
Bolivian mountains
Carnival
Category=FB
Category=FBA
Category=FYD
Category=FYT
Category=JBSF11
classism
Claudio Penaranda
Cochabamba
Confidences
correspondence
Dona Teresa
Drama
early 20th-century novels
epistolary
epistolary fiction
epistolary novel
eq_bestseller
eq_fiction
eq_isMigrated=1
eq_isMigrated=2
eq_modern-contemporary
eq_nobargain
eq_non-fiction
eq_society-politics
Evangelina Paz
feminine
feminism
feminist classic
feminist literature
feminist modernism
fiction
forthcoming
friendship
gender and society
gender inequality
gender roles
Gender Studies
Giovanna Rivero
golden-billed saltator
Graciela Altagracia
historical fiction
historical novel
identity
Intimas
intimism
Juan Estrada
kochipachi
Latin American fiction
Latin American literature
Latin American literature in translation
Latin American novel
Latin American Studies
Latin American women writers
letters
literary criticism
literary modernism
Literature
literature in translation
lost classic
love
Manuel Mendez
marriage
masked ball
metafiction
modernism
motherhood
nineteenth century
novel
Omar Custodio
Pepe Soria
poetic prose
Poetry
prejudice
Quechua culture
realist literature
religion
romance
Rosa Jofre
scandal
scandalous
sexism
social class
social scandal
social standing
Sor Juana Ines de la Cruz
South American fiction
Spanish to English translations
tragic love
translation
Victoria Flor
women writers
women's fiction
women's rights
Women's Studies

Product details

  • ISBN 9781684486052
  • Weight: 454g
  • Dimensions: 140 x 216mm
  • Publication Date: 09 Jun 2026
  • Publisher: Bucknell University Press,U.S.
  • Publication City/Country: US
  • Product Form: Paperback
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Juan is a Bolivian poet at the turn of the century, visiting the city of Cochabamba and writing letters to his friend Armando about the masked sensuality and hostility he feels seething beneath the placid face of this insular mining town. Antonia is a married woman living in Cochabamba, writing to her friend Gracia about the local gossip—which soon erupts into a scandal that threatens to destroy a family. Contrasting Juan's letters home with Antonia's private correspondence to her friend, Confidences tells a story of tragic love and explosive passions, showing how the intimacies that begin behind closed doors spill out into the public sphere.

The only novel written by acclaimed feminist poet Adela Zamudio, Confidences was harshly criticized for not following the conventions of realist literature, but it has since been hailed as a lost classic of Bolivian modernism. Now available in English for the first time, this translation captures the lyrical qualities of Zamudio's prose as it vividly depicts how sexism, religious dogma, and prejudice prevented women from shaping their own destinies.

Adela Zamudio (1854–1928) composed poetry in Spanish and Quechua and published numerous short stories and articles, often using the pen name Soledad. She is remembered today as a pioneer in the Bolivian feminist movement, a fierce advocate for girls' education, and one of her country's finest poets.

Laura Nagle translates prose and poetry from French, Spanish, and Irish. Her work includes the first complete English translation of Prosper Mérimée's 1827 hoax, Songs for the Gusle, and her translations of contemporary short fiction have appeared in The Southern Review, Southword, and Latin American Literature Today. She resides in Indianapolis, Indiana.

Giovanna Rivero is a Bolivian novelist and short story writer. She is the author of six short story collections, including Fresh Dirt from the Grave, which was longlisted for the 2024 Queen Sofía Spanish Institute Translation Prize. She has also published four novels and two children's books and is currently an assistant professor of Spanish creative writing and literature at the University of Iowa in Iowa City.

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