Conflict and Collaboration

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A Man of the People
A01=Edward I. Steinhart
Abuse of power
Age Group_Uncategorized
Age Group_Uncategorized
Ankole
Annexation
Apolo Kagwa
Apolo Kivebulaya
Assassination
Author_Edward I. Steinhart
automatic-update
Baganda
British Empire
British Influence
Buganda
Buganda Agreement (1900)
Buganda Agreement (1955)
Bunyoro
Caliphate
Category1=Non-Fiction
Category=HBJH
Category=HBLL
Category=NHH
Colonialism
Commissioner
COP=United States
Cultural imperialism
Decimation (Roman army)
Defection
Delivery_Delivery within 10-20 working days
Despotism
Distrust
East Africa Protectorate
Egyptian Government
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fort Edward (Nova Scotia)
Forward Policy
Hut tax
Imperialism
Indian nationalism
Kampala
Khedive
Language_English
Loyal opposition
Lubiri
Maxim gun
Mazrui
Mr.
Nandi Resistance
New class
Occupation of Japan
Omugabe
Other Losses
PA=Available
People's war
Politics
Price_€50 to €100
Protectorate
PS=Active
Punitive expedition
Puppet monarch
Reactionary
Recusancy
Refugee
Regent
Regicide
Religious war
Reprisal
Resistance movement
Royal prerogative
Secession
Sedition
Shambo
Social Statics
softlaunch
Sovereignty
State formation
Sudan
Superiority (short story)
Suzerainty
Tax
The Other Hand
Tributary state
Uganda
Uganda Protectorate
Warfare

Product details

  • ISBN 9780691615592
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Mar 2019
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Comic elements in Shakespeare's tragedies have often been noted, but while most critics have tended to concentrate on humorous interludes or on a single play, Susan Snyder seeks a more comprehensive understanding of how Shakespeare used the conventions, structures, and assumptions of comedy in his tragic writing. She argues that Shakespeare's early mastery of romantic comedy deeply influenced his tragedies both in dramaturgy and in the expression and development of his tragic vision. From this perspective she sheds new light on Romeo and Juliet, Hamlet, Othello, and King Lear.
The author shows Shakespeare's tragic vision evolving as he moves through three possibilities: comedy and tragedy functioning first as polar opposites, later as two sides of the same coin, and finally as two elements in a single compound.
In the four plays examined here, Professor Snyder finds that traditional comic structures and assumptions operate in several ways to shape the tragedy: they set up expectations which when proven false reinforce the movement into tragic inevitability; they underline tragic awareness by a pointed irrelevance; they establish a point of departure for tragedy when comedy's happy assumptions reveal their paradoxical "shadow" side; and they become part of the tragedy itself wehen the comic elements threaten the tragic hero with insignificance and absurdity.
Susan Snyder is Professor of English at Swarthmore College.

Originally published in 1978.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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