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Conquest of Cool
1960s
A01=Thomas Frank
advertising
Author_Thomas Frank
beverages
bill bernbach
business
capitalism
Category=JBCC
Category=JBFS
Category=JHM
Category=KNT
Category=NHTB
class
clothing
coca cola
commerce
conformity
consumerism
consumers
cool
counterculture
creativity
difference
dissent
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
expression
fashion
freedom
hip
identity
individualism
liberty
madison avenue
manhood
marketing
masculinity
men
nonfiction
obsolescence
personality
presentation
rebellion
revolution
social change
square
style
trends
trendy
youth
Product details
- ISBN 9780226260129
- Weight: 482g
- Dimensions: 15 x 24mm
- Publication Date: 01 Dec 1998
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Paperback
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An evocative symbol of the 1960s was its youth counterculture. This study reveals that the youthful revolutionaries were augmented by such unlikely allies as the advertising industry and the men's clothing business. The ad industry celebrated irrepressible youth and promoted defiance and revolt. In the 1950s, Madison Avenue deluged the country with images of junior executives, happy housewives and idealized families in tail-finned American cars. But the author of this study seeks to show how, during the "creative revolution" of the 60s, the ad industry turned savagely on the very icons it had created, using brands as signifiers of rule-breaking, defiance, difference and revolt. Even the menswear industry, formerly makers of staid, unchanging garments, ridiculed its own traditions as remnants of intolerable conformity, and discovered youth insurgency as an ideal symbol for its colourful new fashions. Thus emerged the strategy of co-opting dissident style which is so commonplace in modern hip, commercial culture. This text aims to add detail to a period in the 60s which has hitherto remained unresearched.
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