Conspiracy, Revolution, and Terrorism from Victorian Fiction to the Modern Novel

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A01=Adrian Wisnicki
affect theory analysis
Anne Catherick
Author_Adrian Wisnicki
Baron De Charlus
bleak
Bosom Friend
Bow Street Runners
Category=DS
Category=JBCC
Category=NH
Conspiracy Fiction
Conspiracy Narratives
Conspiracy Theory Narratives
Count Fosco
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
gravity's
Gravity's Rainbow
havisham
house
JFK Assassination
law enforcement history literature
literary modernism studies
Minimal Moral Conception
miss
Miss Havisham
Napoleon III
narratives
Nicholas Branch
nineteenth-century British literature
OED's Definition
OED’s Definition
paranoia in fiction
paranoid
paranoid subject formation in novels
Peter Ivanovitch
Princess Casamassima
Providential Hand
rainbow
Sir Percival Glyde
Sophia Antonovna
Spy Fiction
style
theory
Tom Towers
Vanishing Subject
Victorian narrative structures
Walter Hartright
Young Man

Product details

  • ISBN 9780415955607
  • Weight: 476g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 Jul 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Drawing on critical and theoretical work by Miller, Boone, Foucault, Jameson, and others, as well as cultural history, affect theory, and contemporary psychiatric literature, the author defines and explores what he calls the Victorian "conspiracy narrative tradition"--a tradition which embraces classic Victorian works like Bleak House, Great Expectations, Villette, and The Moonstone, as well as later Victorian and Edwardian novels by James, Conrad, and Chesterton, and early spy thrillers such as The Riddle of the Sands and The Thirty-Nine Steps. In reading these works as instances of a single literary tradition, the conspiracy narrative tradition, the author traces how the representation of conspiracy changes in nineteenth-century British literature and argues that many of these changes occur in response to significant Victorian-era developments, such as the European revolutions of 1848-49, the rise of British law enforcement agencies, the growth of Irish Fenian terrorism, and the fin-de-siècle waning of the British Empire. The book also explores the roles that conspiratorial indeterminacy and irony play in shaping the Victorian conspiracy narrative tradition and examines how modern works by Proust, Kafka, and Pynchon appropriate elements from Victorian conspiracy narratives. Finally, in using recent work on affect theory as well as studies of paranoia by Freud, Shapiro, and Meissner, the book traces how Victorian works fashion the paranoid subject, a discursive process that ultimately leads to the emergence of the modern fictional conspiracy theorist.

Adrian Wisnicki's scholarly interests include Romantic poetry, Victorian fiction, contemporary African literature and culture, and postcolonial theory. He has published and presented on Pynchon, Proust, Joyce, R. Browning, D. Livingstone, and John Buchan. He is currently writing a book on Victorian colonial narratives set in Africa.

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