Constructing the Memory of War in Visual Culture since 1914

Regular price €56.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Agne Narusyte
Anna Markowska
Anna Radstrom
art
artistic resistance movements
artists
Atlas Group
Bogside Artists
Brown Military Collection
Brown University Library
Canada
Carlos Silveira
Caroline Perret
Category=AGA
Category=NHW
Catherine Speck
Christine Conley
Claire Whitner
Croatia
Danse Macabre
David Clampin
De Palma's Film
De Palma’s Film
De Solier
Egypt
Elisabeth Ansel
Elizabeth de Cacqueray
England
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
femininity
France
Gelatine Silver Prints
gender in conflict
identity
Ireland
Jean Dubuffet
Jis Kalna
Jung Joon Lee
Korea
Korean Adoptees
Korean Male Adults
Korean War Orphan
Maebh O'Regan
masculinity
memory
Men's Laughter
Military Junta
Minjung Theology
Miraculous Beginnings
monuments
Nanette Norris
Official War Artists
Peter Harrington
propaganda
propaganda imagery
RAF Pilot
Rania Abdelrahman
Real Girl
resistance
Sam Bowker
Sandra Krizic Roban
Societe Des Artistes Francais
Soldier's Diary
soldiers
Soldier’s Diary
trauma
trauma representation
United States Forces Korea
Vietnam
Vietnam War
visual culture
visual culture of twentieth century wars
visual memory studies
war
war art analysis
War Bond Posters
Wissa Wassef
World War I
World War II
Young Men

Product details

  • ISBN 9780367433307
  • Weight: 508g
  • Dimensions: 174 x 246mm
  • Publication Date: 31 Mar 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This collection provides a transnational, interdisciplinary perspective on artistic responses to war from 1914 to the present, analysing a broad selection of the rich, complex body of work which has emerged in response to conflicts since the Great War. Many of the creators examined here embody the human experience of war: first-hand witnesses who developed a unique visual language in direct response to their role as victim, soldier, refugee, resister, prisoner and embedded or official artist. Contributors address specific issues relating to propaganda, wartime femininity and masculinity, women as war artists, trauma, the role of art in soldiery, memory, art as resistance, identity and the memorialisation of war.

Ann Murray holds a PhD from University College Cork. She is currently writing a book on the war art of Otto Dix.