Consuming History

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A01=Jerome de Groot
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Author_Jerome de Groot
Black Watch
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Category=JBCT
Category=NHAH
Category=NHTB
Celebrity Big Brother
celebrity historians
CGI Effect
consumption of history
Contemporary Society
Costume Drama
cultural history
cultural memory studies
Dan Snow
digital historiography
digital public engagement with history
DJ Kool Herc
DNA Testing
DNA's Entry
DNA’s Entry
documentaries
Edwardian Country House
El Laberinto Del Fauno
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eq_history
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eq_nobargain
eq_non-fiction
eq_society-politics
family history
genealogy research methods
Goodnight Sweetheart
Grand Theft Auto
heritage
Heritage Film
historical films
historical novels
historical re-enactment studies
History Channel
Hull History Centre
Judy Book Club
King George III
media and history
media representation theory
Merchant Ivory Films
museum visitor experience
museums
Opus Dei
popular culture
practice of history
public history
Reality Tv
Tv Historian
Wales Tourist Board
Wider Issues

Product details

  • ISBN 9781138905320
  • Weight: 400g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Feb 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Consuming History examines how history works in contemporary popular culture. Analysing a wide range of cultural entities from computer games to daytime television, it investigates the ways in which society consumes history and how a reading of this consumption can help us understand popular culture and issues of representation.

In this second edition, Jerome de Groot probes how museums have responded to the heritage debate and how new technologies from online game-playing to internet genealogy have brought about a shift in access to history, discussing the often conflicted relationship between ‘public’ and academic history and raising important questions about the theory and practice of history as a discipline. Fully revised throughout with up-to-date examples from sources such as Wolf Hall, Game of Thrones and 12 Years a Slave, this edition also includes new sections on the historical novel, gaming, social media and genealogy. It considers new, ground-breaking texts and media such as YouTube in addition to entities and practices, such as re-enactment, that have been underrepresented in historical discussion thus far.

Engaging with a broad spectrum of source material and comparing the experiences of the UK, the USA, France and Germany as well as exploring more global trends, Consuming History offers an essential path through the debates for readers interested in history, cultural studies and the media.

Jerome de Groot teaches at the University of Manchester. He is the author of Remaking History (2015), The Historical Novel (2009), Royalist Identities (2004), and numerous articles on popular history, manuscript culture and the English civil war.

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