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Consuming Music
Consuming Music
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€107.99
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A01=Catherine Mayes
A01=Emily H. Green
Age Group_Uncategorized
Age Group_Uncategorized
art history
Author_Catherine Mayes
Author_Emily H. Green
automatic-update
B01=Catherine Mayes
B01=Dr Catherine Mayes
B01=Emily H Green
buying music
Category1=Non-Fiction
Category=AV
Category=HBT
Category=NHT
COP=United States
Delivery_Delivery within 10-20 working days
econoic trends
economy in music
eighteenth century
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Language_English
music composition
music history
music theory
musicians
musicology
PA=Available
Price_€50 to €100
PS=Active
seventeen hundreds
social theory of music
social trends
sociology
softlaunch
study of music
Product details
- ISBN 9781580465779
- Weight: 574g
- Dimensions: 152 x 229mm
- Publication Date: 15 Feb 2017
- Publisher: Boydell & Brewer Ltd
- Publication City/Country: US
- Product Form: Hardback
- Language: English
This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics.
The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who bought music and how did those consumers know what music was available? Where was it sold and by whom? How did the consumption of music affect its composition? How was consumers' musical taste shaped and by whom?
Focusing on the long eighteenth century, this collection of nine essays investigates such questions from a variety of perspectives, each informed by parallels betweenthe consumption of music and that of dance, visual art, literature, and philosophy in France, the Austro-German lands, and the United States. Chapters relate the activities of composers, performers, patrons, publishers, theorists,impresarios, and critics, exploring consumers' tastes, publishers' promotional strategies, celebrity culture, and the wider communities that were fundamental to these and many more aspects of musical culture.
CONTRIBUTORS: Glenda Goodman; Roger Mathew Grant; Emily H. Green; Marie Sumner Lott; Catherine Mayes; Peter Mondelli, Rupert Ridgewell, Patrick Wood Uribe, Steven Zohn
Emily H. Green is assistant professor of music at George Mason University. Catherine Mayes is assistant professor of musicology at the University of Utah.
Consuming Music
€107.99
