Contemporary Art and Classical Myth

Regular price €198.40
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
art historical methodology
Art Therapy
B01=Dr Isabelle Loring Wallace
B01=Dr Jennie Hirsh
baldessari
Baudelaire
Category1=Non-Fiction
Category=NHC
Category=NL-AB
Category=NL-AC
Category=NL-HB
Category=NL-HR
Classical Myths
COP=United Kingdom
courtesy
Courtesy Gagosian Gallery
Dense
Duck
emin
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Follow
Format=BB
gagosian
gallery
HMM=244
iconographic analysis
IMPN=Ashgate Publishing Limited
ISBN13=9780754669746
john
kusama
Lichtenstein
mythological symbolism
myths
narrative deconstruction
Oil Oncanvas
Ovid's Narrative
Ovid’s Narrative
PA=Available
Pastel
PD=20110218
Persona
Philomela's Myth
Philomela’s Myth
Pliny's Tale
Pliny’s Tale
postmodern aesthetics
Postwar
Price=€100 to €200
Prometheus
PS=Active
PUB=Taylor & Francis Ltd
reinterpretation of ancient myths in art
Subject=History
Subject=History Of Art/art & Design Styles
Subject=Religion & Beliefs
Subject=The Arts: General Issues
Superimposes
Theban Sphinx
Tiresias
tracey
Triangle Factory Fire
Vasari
visual culture theory
Walker's Work
Walker’s Work
WG=454
Whitney Museum Of American Art
WMM=172
yayoi
Yayoi Kusama
Young Man

Product details

  • ISBN 9780754669746
  • Weight: 453g
  • Dimensions: 172 x 244mm
  • Publication Date: 18 Feb 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Contemporary art is deeply engaged with the subject of classical myth. Yet within the literature on contemporary art, little has been said about this provocative relationship. Composed of fourteen original essays, Contemporary Art and Classical Myth addresses this scholarly gap, exploring, and in large part establishing, the multifaceted intersection of contemporary art and classical myth. Moving beyond the notion of art as illustration, the essays assembled here adopt a range of methodological frameworks, from iconography to deconstruction, and do so across an impressive range of artists and objects: Francis Alÿs, Ghada Amer, Wim Delvoye, Luciano Fabro, Joanna Frueh, Felix Gonzales-Torres, Duane Hanson, Yayoi Kusama, Roy Lichtenstein, Kara Walker, and an iconic photograph by Richard Drew subsequently entitled The Falling Man. Arranged so as to highlight both thematic and structural affinities, these essays manifest various aspects of the link between contemporary art and classical myth, while offering novel insights into the artists and myths under consideration. Some essays concentrate on single works as they relate to specific myths, while others take a broader approach, calling on myth as a means of grappling with dominant trends in contemporary art.

Isabelle Loring Wallace is Associate Professor of Contemporary Art at the Lamar Dodd School of Art, University of Georgia, USA. Jennie Hirsh is Assistant Professor of Modern and Contemporary Art in the Department of Art History, Theory, and Criticism, Maryland Institute College of Art, USA.