Contemporary Art Cinema Culture in China

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A01=Xiang Fan
Age Group_Uncategorized
Age Group_Uncategorized
Author_Xiang Fan
automatic-update
Category1=Non-Fiction
Category=APFA
Category=ATFA
Chinese art cinema
cinephilia
contemporary Chinese media
COP=United Kingdom
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethnography
fan subtitles
film culture networks
film distribution in China
independent programmers
internet film criticism
Language_English
PA=Not yet available
Price_€50 to €100
PS=Forthcoming
softlaunch
taste and value in cinema

Product details

  • ISBN 9781350370104
  • Weight: 500g
  • Dimensions: 158 x 236mm
  • Publication Date: 26 Dec 2024
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Runner-up for the British Association of Film, Television and Screen Studies (BAFTSS) 2026 Award for Best First Monograph.

Contemporary Art Cinema Culture in China
explores the dynamic networks of art cinema in China in the 21st century, highlighting the cultural practices of intermediaries such as independent programmers, internet critics, and fan translators.

Offering insights gleaned from original ethnographic research, Xiang Fan reveals how these intermediary practitioners think about cinema, negotiate judgement and appreciation, construct a discourse of value and taste, and most importantly, constitute a coordinated and interrelated network for the sharing of art cinema. Fan argues that although their motivation was derived from a cinephilia seeking to forge an alternative mode of distribution and reception, the ‘new’ cinema culture they have produced simultaneously negotiates a subtly complicit relationship with authoritative and market forces. In doing so, she offers an original interdisciplinary perspective on contemporary art cinema culture in Chinese society.

Xiang Fan holds a PhD in Media Communications and Cultural Studies from Goldsmiths, University of London. She was previously a Postdoctoral Research Associate for the Chinese Independent Film Archive at Newcastle University, UK. Her research interests include Chinese independent and art cinema, film festivals and exhibition culture in the digital age, and women’s cinema.

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