Contemporary Art in Bosnia-Herzegovina

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activism
Aida Sehovic
AMBROSIA
art history
art market
artists
avant garde
Balkan
Category=AB
Category=AGA
Category=GTM
Category=JHMC
Category=JPFF
Category=JPWS
Category=JW
Category=QDTS
city
conflict
culture
diaspora
dokumenta
Eastern Europe
economics
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
ethnic cleansing
Europe
exhibitions
fascism
forthcoming
gallery
genocide
memorial
memory
migration
Mladen Miljanovic
performance art
politics
public art
refugee
resistance
Sarajevo
Slavic
socialism
socialist
urban
video art
visual art
war
Yugoslavia

Product details

  • ISBN 9781032795041
  • Dimensions: 174 x 246mm
  • Publication Date: 15 Oct 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This edited volume traces the evolution and layered mutations of the production, consumption and discussion of contemporary art from Bosnia-Herzegovina, a European country where a devastating war resulted in the deaths of approximately 100,000 people and the displacement of over 2 million refugees.

Chapters bring the art of a nation considered by some as peripheral, whose ‘European-ness’ is often questioned by those on the populist right, into close and comprehensive critical focus, for the first time, adding significantly to the literature on European and global art histories. A wide range of contributors offer a differing range of perspectives on cultural life in the country, differentiating it from the heavily populated English language bibliography on the Bosnian war and its consequences politically and economically. The importance of this collection lies in the functioning of the Bosnian social and political system as an exemplar of imperfect post-conflict resolution, and its consequences for the contemporary art world in Bosnia-Herzegovina.

The book will be of interest to scholars working in art history, gender studies, Slavic studies, and conflict and post-conflict studies

Jonathan Blackwood is Associate Professor of Contemporary Art at Gray’s School of Art, Robert Gordon University, Aberdeen, Scotland. He is the author of Critical Art in Contemporary Macedonia.

Irfan Hošić teaches Art History and Modern Art and Design at the Textile Department at the University of Bihać. His most recent book is Image of Crisis. Cultural and Artistic Circumstances in Bosnia and Herzegovina (1990-2020).