Contemporary Art, Photography, and the Politics of Citizenship

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A01=Vered Maimon
Acconci's Work
Acconci’s Work
Activestills
activism
activist art practices
affect
Akram Zaatari
Archival Impulse
Archival Inkjet Print
Atlas Group
Author_Vered Maimon
authoritarian
boundaries
Category=AB
Category=AGA
Category=AJ
Category=JHB
Category=JPVH
Category=JPWG
citizenship
contemporary art
critical theory analysis
critique
Cruel Optimism
culture
David Joselit
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Family Photography
global public sphere
globalization
Hayes's Performance
Hayes's Work
Hayes’s Performance
Hayes’s Work
Historical Photographic Collections
human rights
human rights discourse
International Humanitarian Law
Interventionist Impulse
Intimate Public Sphere
Israel
Joana Hadjithomas
Khalil Joreige
Love Addresses
neoliberal
Normative Public Sphere
Palestine
performative citizenship
Performative Operation
photography
Pierre Huyghe
politics
practice
public
Raad's Work
Raad’s Work
representation
rights formation in contemporary art
Serial Data Flows
Sharon Hayes
the Atlast Group
theory
Tv News Reporter
Vice Versa
visual culture studies
Walid Raad
Young Men
Yto Barrada

Product details

  • ISBN 9780367368371
  • Weight: 580g
  • Dimensions: 174 x 246mm
  • Publication Date: 27 Jul 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book analyzes recent artistic and activist projects in order to conceptualize the new roles and goals of a critical theory and practice of art and photography. Vered Maimon argues that current artistic and activist practices are no longer concerned with the “politics of representation” and the critique of the spectacle, but with a “politics of rights” and the performative formation of shared yet highly contested public domains.

The book thus offers a critical framework in which to rethink the artistic, the activist, and the political under globalization. The primary focus is on the ways contemporary artists and activists examine political citizenship as a paradox where subjects are struggling to acquire rights whose formulation rests on attributes they allegedly don't have; while the universal political validity of these rights presupposes precisely the abstraction of every form of difference, rights for all.

The book will be of interest to scholars working in art history, contemporary art, photography theory, visual culture, cultural studies, critical theory, political theory, human rights, and activism.

Vered Maimon is Senior Lecturer in the Department of Art History at Tel Aviv University.

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