Contemporary Black Theatre and Performance

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accountability
activism
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anti-racist
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B01=DeRon S. Williams
B01=Khalid Y. Long
B01=Martine Kei Green-Rogers
B09=Anja Hartl
B09=William C. Boles
Black performance
Black Theatre
blackface
blackfishing
casting
Category1=Non-Fiction
Category=AN
Category=ANF
Category=ATD
Category=JFC
Category=JPW
Choir Boy
classroom
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deindustrialization
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devising
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dramaturgy
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feminism
geography
Goodman Theatre
Hamilton
Language_English
LGBT
Lynn Nottage
march
PA=Available
participatory
pedagogy
playwriting
Price_€20 to €50
protestors
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queer
racism
rebellion
representation
Serena Williams
social media
softlaunch
solidarity
spectacle-text
spirituals
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students
survivors
Tarell Alvin McCraney
technique
trans
transformation
trauma
Willa Taylor
workers

Product details

  • ISBN 9781350252912
  • Weight: 280g
  • Dimensions: 138 x 216mm
  • Publication Date: 04 May 2023
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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How are Black artists, activists, and pedagogues wielding acts of rebellion, activism, and solidarity to precipitate change? How have contemporary performances impacted Black cultural, social, and political struggles? What are the ways in which these acts and artists engage varied Black identities and explore shared histories?

Contemporary Black Theatre and Performance investigates these questions to illuminate the relationship between performance, identity, intersectionality, and activism in North America and beyond. It features contributions from scholars, artists, and activists from across disciplines who explore the nuances and varied forms of Black performance in the 21st century while incorporating performance-based methodologies and queer and black feminist theories.

Among the many topics addressed by contributors are antiracist pedagogy, Black queer identity formation in Black playwriting, digital blackface, and Black women's subversive practices within contemporary popular culture. It encompasses dramatic analysis of Lynn Nottage's Sweat, Tarell Alvin McCraney's Choir Boy, and acts of resistance during the Black Lives Matter summer 2020 highway protests. A series of conversations with artists and scholars are woven throughout the book’s three sections, including with playwrights Christina Anderson and Donja R. Love, and Willa Taylor, Director of Education and Community Engagement at the Goodman Theatre, Chicago.

DeRon S. Williams is Assistant Professor of Theatre in the Department of Fine and Performing Arts at Loyola University Chicago, USA.
Khalid Y. Long is Assistant Professor in the Department of Theatre and Film Studies and the Institute for African American Studies at the University of Georgia, USA.
Martine Kei Green-Rogers is the Dean of The Theatre School at DePaul University, USA.