Contemporary Cinema and Neoliberal Ideology

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Ae Fond Kiss
American Independent Cinema
American Psycho
Big Fat Greek Wedding
Bruce Williams
capitalism
Category=ATF
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Chick Flick
class struggle analysis
Constantin Parvulescu
contemporary cinema
Contemporary Romantic Comedy
Corey Kai Nelson Schultz
David Archibald
Doru Pop
DVD Box Set
Elzbieta Ostrowska
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Erotic Capital
Ewa Mazierska
Exotic Marigold Hotel
Eyed Monsters
Female Sex Tourism
film theory
filmmaking
global film distribution
Harmonious Society
Independent Cinema
independent film production
Jia Zhangke
Kamila Rymajdo
Kevan Feshami
Lars Kristensen
Laurent Cantet
Loach's Work
Loach’s Work
Martin O'Shaughnessy
Marxist cinema
Motti Regev
multicultural representation
neo-liberalism
neoliberalism in cinematic narratives
Pan Shiyi
Paul Dave
political economy
politics
Rogue Trader
Romantic Comedy
Rosa Barotsi
Screen Grab
sexual politics in film
socialism
Vice Versa
Wang Keqin
William Brown
Younger Man

Product details

  • ISBN 9781138235731
  • Weight: 650g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Oct 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In this edited collection, an international ensemble of scholars examine what contemporary cinema tells us about neoliberal capitalism and cinema, exploring whether filmmakers are able to imagine progressive alternatives under capitalist conditions. Individual contributions discuss filmmaking practices, film distribution, textual characteristics and the reception of films made in different parts of the world. They engage with topics such as class struggle, debt, multiculturalism and the effect of neoliberalism on love and sexual behaviour. Written in accessible, jargon-free language, Contemporary Cinema and Neoliberal Ideology is an essential text for those interested in political filmmaking and the political meanings of films.

Ewa Mazierska is Professor of Film Studies at the School of Humanities and Social Sciences at the University of Central Lancashire. She published over twenty monographs and edited collections on film and popular music. Mazierska (with Kristensen) has also organised two conferences entitled 'Marx at the Movies', once in 2012 and again in 2015, which were devoted to the interface between the moving image and Marxism.

Lars Kristensen is Senior Lecturer in Media Arts, Aesthetics and Narration at the University of Skövde, Sweden, where he teaches moving image theory to game developers. His research focuses on Russian and Eastern European filmmaking as well as bicycle cinema, post-critique and theories of game and play. His publications have appeared in Studies in Eastern European Cinema, Games and Culture, Journal of Gaming and Virtual Worlds and Thesis Eleven.