Contemporary Circus

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A01=Jon Burtt
A01=Katie Lavers
A01=Louis Patrick Leroux
Achaos
Acrobatics
Aesthetic
AFL Player
African American circus performers
Animal Kingdom
Author_Jon Burtt
Author_Katie Lavers
Author_Louis Patrick Leroux
Big Top
Bodily Prowess
Category=ATXC
Circus Act
Circus Apparatus
Circus Performers
Circus Schools
Circus Shows
Circus Skills
Cirque Du Soleil
Contemporary Circus
contemporary circus performance
critical theory application
embodied practice
Ephemeral Architectures
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Immediacy
Immersive
Inherent Hybridity
interdisciplinary performance scholarship
Jennifer Miller
Juggling Balls
live art research
Liveness
National Circus School
performance studies
Performer's Mastery
Performer’s Mastery
physical theatre analysis
politics of circus performance
Postdramatic Theatre
Risk
Site Specific Performance
Soleil
Tight Rope Walker
Traditional Circus
Transgression
virtual apparatus
Voices Section
Wild Men

Product details

  • ISBN 9781138680722
  • Weight: 1180g
  • Dimensions: 156 x 234mm
  • Publication Date: 17 Jul 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In this volume, twenty-four creators come together with three scholars to discuss Contemporary Circus, bridging the divide between practice and theory.

Lavers, Leroux, and Burtt offer conversations across four key themes: Apparatus, Politics, Performers, and New Work. Extensively illustrated with fifty photos of Contemporary Circus productions, and extensively annotated, Contemporary Circus thematically groups and contextualises extracts of conversations to provide a sophisticated and wide-ranging study supported by critical theory.

Of interest to both practitioners and scholars, Contemporary Circus uses the lens of ‘contestation,’ or calling things into question, to provide a portal into ways of seeing today’s circus performance.

Conversations with: Lachlan Binns and Jascha Boyce (Gravity and Other Myths), Tilde Björfors (Cirkus Cirkör), Kim ‘Busty Beatz’ Bowers (Hot Brown Honey), Shana Carroll (The 7 Fingers), David Clarkson (Stalker), Philippe Decouflé (Compagnie DCA), Fez Faanana (Briefs), Mike Finch (Circus Oz), Daniele Finzi Pasca (Compagnia Finzi Pasca), Sean Gandini (Gandini Juggling), Firenza Guidi (ElanFrantoio, NoFit State Circus), Jo Lancaster and Simon Yates (Acrobat), Johann Le Guillerm (Cirque Ici), Yaron Lifschitz (Circa), Chelsea McGuffin (Company 2), Phia Ménard (Compagnie Non Nova), Jennifer Miller (Circus Amok), Adrien Mondot (Compagnie Adrien M and Claire B), Charlotte Mooney and Tina Koch (Ockham’s Razor), Philippe Petit (high wire artist), and Elizabeth Streb (STREB EXTREME ACTION).

Katie Lavers is an Adjunct Senior Lecturer at the Western Australian Academy of Performing Arts, Edith Cowan University, Western Australia. Her research interests are Circus Studies, Performance Studies, Animal Studies, and Ecofeminism. She is the Co-Editor of The Routledge Circus Studies Reader (2016).

Louis Patrick Leroux is a Professor and Associate Dean of Research, Faculty of Arts and Science at Concordia University, Montreal. He is the Director of the Montreal Working Group on Circus Research and Co-Editor of Cirque Global: Québec’s Expanding Circus Boundaries (2016).

Jon Burtt is a Lecturer in the Department of Media, Music, Communication and Cultural Studies at Macquarie University in Sydney, Australia. He teaches across dance, theatre, and circus. His research interests are Contemporary Circus Practice and Training; and Circus for Social Change. He is the Associate Editor of The Routledge Circus Studies Reader (2016).

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