Contemporary Ensemble

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actor training techniques
Adassinski
Alan Lyddiard
Bakal
Bauwens
Berliner Ensemble
Carolina Valdes
Category=ATD
Chris Thorpe
Claus Peymann
Cluj
Clwyd Theatr Cymru
collaborative theatre practice
cross-cultural dramaturgy
Derevo
devised performance methods
Devriendt
DNA Make
Edinburgh Fringe
Elevator Repair Service
Emma Rice
Ensemble Members
ensemble methodology in contemporary theatre
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global theatre traditions
Howard Barker
Ian Morgan
Joe Chaikin
Joeri Smet
Joey Holden
Joseph Alford
Julie Ellen
Kneehigh
Kneehigh Theatre
LeCompte
Lev Dodin
Lyn Gardner
Michael Boyd
Moscow Art Theatre
Northern Stage
Ontroerend Goed
Out of Joint
Pejovic
performance collective research
Peter Eckersall
Richard III
Riot Group
RSC
Shadow Casters
Shaplin
Slattne
Song of the Goat
Stafford-Clark
TDR.
Third Angel
Tim Crouch
Tompa
Traverse Theatre
Unlimited Theatre
Vice Versa
Wooster Group
Wundrich
Young Man

Product details

  • ISBN 9780415535281
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 03 May 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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‘Dr. Radosavljević has an excellent and extensive grasp of her subject, and deep understanding of not only the history of these groups, but how they function, and how each contributes to the field of ensemble theatre.’ – David Crespy, University of Missouri, USA

Questions of ensemble – what it is, how it works – are both inherent to a variety of Western theatre traditions, and re-emerging and evolving in striking new ways in the twenty-first century. The Contemporary Ensemble draws together an unprecedented range of original interviews with world-renowned theatre-makers in order to directly address both the former and latter concerns. Reflecting on ‘the ensemble way of working’ within this major new resource are figures including:

Michael Boyd, Hermann Wündrich, Yuri Butusov, Max Stafford-Clark, Elizabeth LeCompte, Lyn Gardner, Adriano Shaplin, Phelim McDermott; and Emma Rice;

representing companies including:

The RSC; The Berliner Ensemble; The Satirikon Theatre; Out of Joint; The Wooster Group; Kneehigh Theatre; Song of the Goat; The Riot Group; The Neo-Futurists; Shadow Casters; and Ontroerend Goed.

All 22 interviews were conducted especially for the collection, and draw upon the author’s rich background working as scholar, educator and dramaturg with a variety of ensembles. The resulting compendium radically re-situates the ensemble in the context of globalisation, higher education and simplistic understandings of ‘text-based’ and ‘devised’ theatre practice, and traces a compelling new line through the contemporary theatre landscape.