Contemporary Farce on the Global Stage

Regular price €50.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=David Gram
advanced farce analysis methods
Author_David Gram
Category=AFKP
Category=ATD
Category=ATXD
Category=JBCT
Category=NHT
comedy
comic dramaturgy
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
farce
gender and identity in drama
intercultural theatre
ken ludwig
Mechanics of Farce
performance studies
playwriting techniques
stage direction theory
The Five Doors to Contemporary Farce
theatre
twenty-first century
ubu roi
wilde

Product details

  • ISBN 9780367219284
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Apr 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Contemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the 21st century. Often dismissed as frivolous, farce speaks a universal language, with the power to incisively interrogate our world through laughter.

Unlike farces of the past, where a successful resolution was a given and we could laugh uproariously at adulterous behaviour, farce no longer guarantees an audience a happy ending where everything works out. Contemporary farce is no longer ‘diverting us’ with laughter. It is reflecting the fractured world around us. With a foreword by award-winning playwright Ken Ludwig, the book introduces readers to the Mechanics of Farce, and the ‘Four Ps,’ which are key elements for understanding, appreciating, and exploring the form. The Five Doors to Contemporary Farce identify five major categories into which farces fall. Behind each door are a wide selection of plays, modern and contemporary examples from all over the world, written by a diverse group of playwrights who traverse gender, race, ethnicity, and sexual orientation. Supplementing each section are comments, observations, and reflections from award-winning playwrights, directors, actors, designers, dramaturgs, and scholars.

Designed specifically to give theatre-makers a rounded understanding that will underpin their own productions, this book will also be of use to theatre and performance studies students.

David Gram is an Assistant Professor of Theatre at Oakland University in Rochester Hills, Michigan, USA. He has been a theatre and opera director, actor, dramaturg, and playwright for over 25 years. Other research interests include contemporary musical theatre, Elizabethan and Jacobean drama, and new play development.

More from this author