Contemporary Francophone African Plays

Regular price €142.99
Regular price €148.99 Sale Sale price €142.99
Quantity:
Delivery/Collection within 10-20 working days
Shipping & Delivery
A02=Sylvie Chalaye
African plays
African theater
Age Group_Uncategorized
Age Group_Uncategorized
Author_Sylvie Chalaye
automatic-update
B01=Judith G. Miller
B06=Amelia Parenteau
B06=Judith G. Miller
B06=Ninon Vessier
B06=Subha Xavier
Bernard Dadie
Category1=Non-Fiction
Category=AN
Category=ATD
Category=DD
Category=DNT
Category=DQ
Contemporary African theater
COP=United States
Decolonization
Delivery_Delivery within 10-20 working days
eq_anthologies-novellas-short-stories
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_fiction
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Experimental Black theater
Francophone African theater
Gustave Akakpo
Jose Pliya
Kangni Alem
Koffi Kwahule
Kossi Efoui
Language_English
mise en scene
PA=Available
Penda Diouf
plays
Political theater
Price_€100 and above
PS=Active
Senouvo Agbota Zinsou
softlaunch
Sony Labou Tansi
theatre
Werewere Liking
Yolande Mukagasana

Product details

  • ISBN 9781684485123
  • Weight: 485g
  • Dimensions: 156 x 235mm
  • Publication Date: 17 May 2024
  • Publisher: Bucknell University Press,U.S.
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
Bringing together in English translation eleven Francophone African plays dating from 1970 to 2021, this essential collection includes satirical portraits of colonizers and their collaborators (Bernard DadiÉ’s BÉatrice du Congo; Sony Labou Tansi’s I, Undersigned, Cardiac Case; SÉnouvo Agbota Zinsou’s We’re Just Playing) alongside contemporary works questioning diasporic identity and cultural connections (Koffi KwahulÉ’s SAMO: A Tribute to Basquiat and Penda Diouf’s Tracks, Trails, and Traces…). The anthology memorializes the Rwandan genocide (Yolande Mukagasana’s testimony from Rwanda 94), questions the status of women in entrenched patriarchy (Werewere Liking’s SinguÈ Mura: Given That a Woman…), and follows the life of Elizabeth Nietzsche, who perverted her brother’s thought to colonize Paraguay (JosÉ Pliya’s The Sister of Zarathustra). Gustave Akakpo’s The True Story of Little Red Riding Hood and Kossi Efoui’s The Conference of the Dogs offer parables about what makes life livable, while Kangni Alem’s The Landing shows the dangers of believing in a better life, through migration, outside of Africa.
Judith G. Miller is an emerita professor of French at New York University. She has published over thirty translations of plays, essays, and novels, most recently The ThÉÂtre du Soleil, the First Fifty-Five Years by BÉatrice Picon-Vallin and And the Whole World Quakes: Chronicle of a Slaughter Foretold, a play by Haitian author Guy RÉgis Jr., in New Plays from the Caribbean, ed. StÉphanie BÉrard.

More from this author