Contemporary Gothic and Horror Film

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A01=Keith McDonald
A01=Wayne Johnson
and transmedia exchanges - bringing these together along with popular culture and associated phenomena.
Art
Author_Keith McDonald
Author_Wayne Johnson
Category=AFKV
Category=DS
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Category=FK
Category=JBGB
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eq_biography-true-stories
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fandom and genre fiction
key developments in Gothic studies - transnationalism

Product details

  • ISBN 9781839996405
  • Weight: 248g
  • Dimensions: 153 x 229mm
  • Publication Date: 11 Nov 2025
  • Publisher: Anthem Press
  • Publication City/Country: GB
  • Product Form: Paperback
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This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and, finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself.

Keith McDonald holds a PhD from Birkbeck College, University of London, and is a senior lecturer of film studies and media at York St John University, UK.

Wayne Johnson is a senior lecturer in media and film studies at York St. John University. He received his PhD from Keele University, UK.

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