Contemporary Group Theatre in Kolkata, India

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A01=Arnab Banerji
arts funding
Author_Arnab Banerji
auto-ethnography
Bengali group theatre
Bengali Theatre
Call Shows
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Category=NHTB
Central Kolkata
College Square
contemporary Bengali theatre scholarship
Contemporary Group Theatre
contemporary theatre scholarship
Dark Matter
English Language Theatre
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Group Theatre Group
Indian theatre
IPTA
Kala Mandir
Kolkata
Kolkata Theatre
materialist theatre analysis
modern Indian studies
non-Western theatre culture
North Kolkata
performance labour training
Practitioner Space
Rabindra Bhavan
rehearsal methodologies
Rehearsal Space
Sangeet Natak
semiotic critical framework
semiotic performance studies
Site Specific Performance
South Asian popular culture
South Kolkata
Sukumar Ray
Swapnasandhani
TFP.
theatre funding research
theatre practitioners
Theatre Workshop
urban Indian drama
vibrant theatre culture
Virtual Tour Guide
Yester Years
Young Man

Product details

  • ISBN 9780367205133
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 02 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book is the first of its kind offering a materialistic semiotic analysis of a non-Western theatre culture: Bengali group theatre. Arnab Banerji fills two lacunas in contemporary theatre scholarship. First, the materialist semiotic approach to studying a non-Western theatre event allows Banerji to critically examine the material conditions in which theatre is created and seen outside the Euro-American context. And second, by shifting the critical lens onto a contemporary urban theatre phenomenon from India, the book attempts to even out the scholastic imbalance in Indian theatre scholarship which has largely focused on folk and classical traditions.

The book shows a refreshing new perspective toward a theatre culture that frequently escapes the critical lens in spite of being one of the largest urban theatre cultures in the world. Theatre events are a sum total of the conditions in which they are built and the conditions in which they are viewed. Studying the event separate from its materialistic beginnings and semiotic effects allow only a partial insight into the performance phenomenon.

The materialist semiotic critical framework of this book locates the Bengali group theatre within its performative context and offers a heretofore unexplored insight into this vibrant theatre culture.

Arnab Banerji is Assistant Professor of Theatre History and Dramatic Literature at Loyola Marymount University, Los Angeles. Arnab’s essays and reviews have been published in Theatre Journal, Theatre Topics, Asian Theatre Journal, TDR, BOOM California, Ecumenica, Theatre Symposium, Sanglap, Cerebration, SERAS, and Virginia Review of Asian Studies. His current research is in performances by the Indian diaspora, translations of Indian vernacular plays, and contemporary Bengali theatre. Arnab is married and lives with his partner Sayantika in Los Angeles. When he is not doing academic stuff, Arnab enjoys drinking specialty coffee, looking up restaurants around town, binge-watching The Office, and browsing through graphic novels.

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