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Contemporary Hispanic Cinema
Contemporary Hispanic Cinema
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★★★★★
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€92.99
Regular price
€93.99
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€92.99
A32=Alessandra Meleiro
A32=Catherine Leen
A32=Deborah Shaw
A32=Libia Villazana
A32=Marvin D'Lugo
A32=Professor Núria Triana-Toribio
A32=Professor Stephanie Dennison
A32=Sarah Barrow
A32=Tamara Falicov
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Professor Stephanie Dennison
Category1=Non-Fiction
Category=APFA
Category=ATFA
Co-production
Contemporary Hispanic Cinema
COP=United Kingdom
Cultural
Delivery_Delivery within 10-20 working days
Economic Imperatives
eq_art-fashion-photography
eq_isMigrated=2
eq_non-fiction
Film Industries
Film Production
Hispanic Aesthetic
IBERMEDIA
Language_English
Latin American Film
Marketable 'Latinamericaness'
PA=Available
Price_€50 to €100
PS=Active
softlaunch
Spanish
Stephanie Dennison
Supranational Funding
Transnational
Product details
- ISBN 9781855662612
- Weight: 592g
- Dimensions: 156 x 234mm
- Publication Date: 16 Aug 2013
- Publisher: Boydell & Brewer Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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This collection of original essays focuses on the cross-currents and points of contact among Spain, Portugal and Latin America and their impact on the regions' film industries.
This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and 'Hispanic' film festivals, to the cultural, for example the invention of a marketable 'Latinamericaness' in Spain, or a 'Hispanic aesthetic' elsewhere.
Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds
STEPHANIE DENNISON is Professor of Brazilian Studies and Director of the Centre for World Cinema and Digital Cultures at the University of Leeds, UK. STEPHANIE DENNISON is Professor of Brazilian Studies and Director of the Centre for World Cinema and Digital Cultures at the University of Leeds, UK.
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