Contemporary Irish Theatre and Social Change

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A01=Emer O'Toole
Abortion Stories
activism
activist performance
Author_Emer O'Toole
Bowen University
Category=ATD
Category=JPW
Celtic Tiger
Contemporary Irish Theatre
Direct Provision
Dublin Theatre Festival
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist theatre
Filthy Slut
Funny Word
Gay Theatre
Gender Studies
Irish history
Irish Queer
Irish Stages
Irish Theatre
Kilburn High Road
Laderman Ukeles
LGBTQ Theatre
marginalised communities
Marriage Equality Referendum
Nordic Model
Paleo Diet
Performance
performance studies
Professional Aesthetic
Project Arts Centre
queer performance analysis
race and class politics
Ronit Lentin
Sex Work
social justice theatre research
Solo Autobiographical Performances
Solo Performance
Theatre
Young Man

Product details

  • ISBN 9781032071589
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Apr 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book uses the social transformation that has taken place in Ireland from the decriminalisation of homosexuality in 1993 to the repeal of the 8th amendment in 2018 as backdrop to examine relationships between activism and contemporary Irish theatre and performance.

It studies art explicitly intended to create social and political change for marginalised constituencies. It asks what happens to theatre aesthetics when artists’ aims are political and argues that activist commitments can create new modes of beauty, meaning, and affect. Categories of race, class, sexuality, and gender frame chapters, provide social context, and identify activist artists’ social targets. This book provides in depth analysis of: Arambe – Ireland’s first African theatre company; THEATREclub – an experimental collective with issues of class at its heart; The International Dublin Gay Theatre Festival; and feminist artists working to Repeal the 8th amendment. It highlights the aesthetic strategies that emerge when artists set their sights on justice. Aesthetic debates, both historical and contemporary, are laid out from first principles, inviting readers to situate themselves – whether as artists, activists, or scholars – in the delicious tension between art and life.

This book will be a vital guide to students and scholars interested in theatre and performance studies, gender studies, Irish history, and activism.

Emer O’Toole is Associate Professor of Irish Performance Studies at the School of Irish Studies, Concordia University.

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