Contemporary Israeli Cinema

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Animated Documentary
Apple Tv
Arab Jew
Arab Jewish Identity
Ari Folman
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Broken Cameras
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Contemporary Israeli Cinema
Contemporary Israeli film
Diasporic Past
documentary reenactments
documentary reenactments and ethics
DVD Cover
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ethics of trauma depiction in film
Eytan Fox
feminist film theory
Film Testimony
gendered violence representation
homonationalism
IDF Soldier
Insidious Trauma
Israeli Air Force Bombing
Israeli Cinema
Israeli film
Israeli tv
Israeli women's cinema
Lesbian Film Festival
melancholia
melancholia and queer diaspora
memory politics
Mizrahi Jews
Mizrahi Music
Oum Kalthoum
Palestinian Woman
postcolonial analysis
queer diaspora
queer identities
Tel Aviv
terror tv
terror tv and trauma
transnational temporalities
trauma and women's cinema
trauma studies
Victimhood Discourse
witnessing and accountability
Women's Cinema
Women's Traumas
Women’s Cinema
Women’s Traumas
Young Men

Product details

  • ISBN 9781032194219
  • Weight: 260g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Through analysis of the complex discourse surrounding trauma and loss, this book provides a necessary examination of temporality and ethics in Israeli film and television since the turn of the millennium.

The author examines posttraumatic idioms of fragmentation and incoherence, highlighting the rising resistance towards generic categories, and the turn to unconventional and paradoxical structures with unique aesthetics. Maintaining that contemporary Israeli cinema has undergone an ethical shift, the author examines the revealing traumas and denied identities that also seek alternative ways to confront ethical question of accountability. It discusses the relationships between trauma, nationalism, and cinema through the intertwined perspectives of feminism, queer theory, and critical race and postcolonial studies, showing how national traumas are constructed by notions of gendered, sexual, and racial identity. This innovative text highlights the complexities of discourse surrounding trauma and loss, informed by multiple categories of difference. Across each chapter various elements of Israeli film are explored, spanning from strategies used to critically examine victim-perpetrator dynamics, co-existence in temporal space, women’s cinema in Israel, displacement, and queer communities and identity.

Beyond its direct contribution to cinema studies and Israel studies, the book will be of interest to trauma and memory studies, postcolonial studies, gender and sexuality studies, Jewish studies, Middle Eastern studies, and cultural studies.

Raz Yosef is an Associate Professor and head of the Steve Tisch School of Film and Television at Tel Aviv University, Israel. His research interests are on gender and sexuality, race and ethnicity, trauma and memory in Israeli national visual culture.

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