Contemporary Mormon Pageantry

Regular price €81.99
Title
A01=Megan Sanborn Jones
acting
actors
american studies
american theater
american theatrical landscape
Author_Megan Sanborn Jones
book of mormon
Category=ATD
Category=QRR
church history
church of latter-day saints
church theology
costumed performers
dancing
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
extravagance
faith
hill cumorah pageant
live orchestras
manti pageant
mesa easter pageant
mormon church
mormon pageants
mormon past
mormon practice
nauvoo pageant
participant-observer
participation
performance
performance theory
praxis
present-day mormon practice
redemption of the dead
relationship between living and dead
religion
religion and theater
religious scholarship
religious theory
sacred ritual performance
sacred space
saving power of performance
spectacle
spectators
spectatorship
theater
theater and performance studies
theater scholarship
theology
theology and theater

Product details

  • ISBN 9780472130979
  • Dimensions: 152 x 229mm
  • Publication Date: 21 Aug 2018
  • Publisher: The University of Michigan Press
  • Publication City/Country: US
  • Product Form: Hardback
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In Contemporary Mormon Pageantry, theater scholar Megan Sanborn Jones looks at Mormon pageants, outdoor theatrical productions that celebrate church theology, reenact church history, and bring to life stories from the Book of Mormon. She examines four annual pageants in the United States-the Hill Cumorah Pageant in upstate New York, the Manti Pageant in Utah, the Nauvoo Pageant in Illinois, and the Mesa Easter Pageant in Arizona. The nature and extravagance of the pageants vary by location, with some live orchestras, dancing, and hundreds of costumed performers, mostly local church members. Based on deep historical research and enhanced by the author's interviews with pageant producers and cast members as well as the author's own experiences as a participant-observer, the book reveals the strategies by which these pageants resurrect the Mormon past on stage. Jones analyzes the place of the productions within the American theatrical landscape and draws connections between the Latter-day Saints theology of the redemption of the dead and Mormon pageantry in the three related sites of sacred space, participation, and spectatorship. Using a combination of religious and performance theory, Jones demonstrates that Mormon pageantry is a rich and complex site of engagement between theater, theology, and praxis that explores the saving power of performance.

Megan Sanborn Jones is Professor of Theatre, Brigham Young University.