Contemporary Second- and Third-Person Autobiographical Writing

Regular price €173.60
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Christina Schonberger-Stepien
Anglophone life writing
Archival Function
Auster's Autobiographical
Auster’s Autobiographical
Author_Christina Schonberger-Stepien
Autobiographical Endeavour
Autobiographical Text
Autobiographical Writing
Category=DSA
Category=DSBH
CIO
Coetzee's Works
Coetzee's Writing
Coetzee’s Works
Coetzee’s Writing
Cognitive Involvement
contemporary autobiographical narrative theory
Dense
Dich Selbst
embodiment in literature
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethics of self-representation
Grief Memoir
Grief Story
Incredible Shrinking Man
John Coetzee
male subjectivity studies
Metageneric Commentary
Narrative Perspective
narrative perspective analysis
Notebook Entries
Notebook Sections
post-Apartheid Communities
rhetorical narratology
Romantic Irony
Salman Rushdie
White South African Identity
White South African Writer
Young Man

Product details

  • ISBN 9781032385044
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 Mar 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This book explores 21st-century uses of the second- and third-person perspective in Anglophone autobiographical narratives by canonical male writers. Through detailed readings of contemporary autobiographical works by Paul Auster, Julian Barnes, J.M. Coetzee, and Salman Rushdie, the study demonstrates the multiple aesthetic, rhetorical, and un/ethical implications of the choice of narrative perspective as well as the uncommon step of articulating the self from a perspective which is not I. Drawing on (rhetorical) narratology and autobiography theory, the book engages with questions and tensions of subjectivity and relationality, the interplay of distance and proximity resulting from the narrative perspective, and its effects on the relationship between autobiographer, text, and reader. In addition, the book traces relevant guiding principles that the authors use to navigate their self-narratives in relation to others, such as questions of embodiment, visuality, grief, ethics, and politics. Situating the narratives in their socio-political and cultural context, the book uncovers to what extent these autobiographical narratives reflect the authors’ position between self-withdrawal and self-promotion as well as their response to questions of male agency, self-stylisation, and celebrity status.

Christina Schönberger-Stepien is Lecturer in English Literature at the University of Augsburg in Germany. Her research areas include life-writing, Victorian literature and culture, and working-class literature. She has published essays on autobiographical writing, on the feminist biopic, and on contemporary workingclass anthologies.

More from this author