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Contemporary Visual Culture and the Sublime

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Adrian Ivakhiv
aesthetic theory
aesthetics
American Sublime
American Technological Sublime
art
Barbara Maria Stafford
Berlin Streets
Bill Beckley
Burkean Sublime
Category=AGA
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Category=JBCT
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cinematic representation
Classical Sublime
cognitive mapping
Contemporary Sublime
Contemporary Visual Culture
critical theory
cultural studies
Damian Sutton
David Foster Wallace's Infinite
David Foster Wallace’s Infinite
digital media
ecocriticism
Elizabeth Oldfather
environmental aesthetics
Environmental Photography
Environmental Sublime
eq_art-fashion-photography
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eq_nobargain
eq_non-fiction
eq_society-politics
film studies
Hannah Goodwin
Herzog's Film
Herzog’s Film
Hubble Space Telescope Image
Human Suffering
James Kirwan
Jeremy Gilbert-Rolfe
Joseph M. Gabriel
Kantian Sublime
Ksenia Fedorova
Lyuba Encheva
media
neurophenomenology
Paul Coates
philosophy
Postmodern Sublime
postmodern sublime studies
Problematic Ontological Commitments
Psychedelic Therapy
Relativistic Heavy Ion Collider
religion
Sandra Shapshay
Stella Hockenhull
Sublime Encounter
Sublime Experience
Sublime Response
Supersensible Faculty
technological mediation
Technological Sublime
urban studies
Wunder Der
Young Man

Product details

  • ISBN 9780367885816
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Description

In the course of its long and tumultuous history the sublime has alternated between spatial and temporal definitions, from its conceptualization in terms of the grandeur and infinity of Nature (spatial), to its postmodern redefinition as an "event" (temporal), from its conceptualization in terms of our failure to "cognitively map" the decentered global network of capital or the rhizomatic structure of the postmetropolis (spatial), to its neurophenomenological redefinition in terms of the new temporality of presence produced by network/real time (temporal). This volume explores the place of the sublime in contemporary culture and the aesthetic, cultural, and political values coded in it. It offers a map of the contemporary sublime in terms of the limits—cinematic, cognitive, neurophysiological, technological, or environmental—of representation.
About

Temenuga Trifonova is Associate Professor in the Department of Cinema and Media Arts at York University in Toronto, Canada.