Contested Heritage in Europe and Africa

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Axum obelisk
B01=Marco Zoppi
Black Madonna
Category1=Non-Fiction
Category=AC
Category=AGA
Category=GLZ
Category=GM
Category=HBJH
Category=HBTB
Category=HBTQ
Category=JBCC1
Category=JBSL
Category=JFCA
Category=JFSL
Category=JHM
Category=KNP
Category=NHH
Category=NHTB
Category=NHTQ
CIVA Museum
colonial legacy analysis
Commemoration
COP=United Kingdom
Cultural diversity
cultural patrimony
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Euro-African cultural relations
Euro-African heritage controversies
Exhibitions
Graffiti
Immaterial heritage
Inclusion
Language_English
Looted art
Material heritage
monument removal
Multiculturalism
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postcolonial memory
Price_€100 and above
PS=Active
Restitution
restitution debates
Rhodes
Selassie
Sharpeville Massacre
softlaunch
Statues
Tapestries
transnational heritage studies
Vasco da Gama
Yataal Art

Product details

  • ISBN 9781032705934
  • Weight: 640g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book investigates Euro-African cultural relations, considering their connected histories through material and immaterial forms of representation, commemoration, and memorialization.

Recent waves of protest around the world have called for restitution of looted African art, and toppled statues and vandalized monuments which are connected to white suprematism, colonialism, and imperialism. These events have highlighted an urgent need to debate the management and preservation of Europe and Africa’s shared heritage. Drawing on a range of varied, trans-continental case studies, this book considers the key question of whether such monuments should be removed as forms of unacceptable celebration of an evil past, or preserved precisely because of what they recount about that past of oppression and domination. The book encourages readers to consider how diverse and pervasive the notions of shared heritage and common past are, encompassing discussions of statues, exhibitions, graffiti, tapestries, and commemorations.

Providing a timely analysis of the developing cultural relations between Africa and Europe, this book will be an important resource for researchers across the fields of global history, heritage studies, memory studies, and international relations.

Marco Zoppi is an independent researcher. His works focus on Euro-African relations and European affairs, including migration and security. He has authored some 50 academic publications.