Contested Objects

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Ad Astra
art
Australian Imperial Force
AWM
badge
battlefield archaeology
Black Watch
cap
Category=JBCC
Category=NHD
Category=NHWR5
Category=NK
commemorative practices
Communication Trenches
Cross Man
cultural heritage research
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Flanders Fields Museum
Geoffrey Malins
Grand Lodge
Home Town
imperial
Imperial War Graves Commission
Imperial War Museum
interdisciplinary study of First World War objects
Ivory Coast
material
material culture studies
military anthropology
Military Estate
Military Sketch
museum
Post Cards
salient
Salisbury Plain
trench
Trench Art
Trench Systems
United Grand Lodge
United Grand Lodge Of England
war
War Archaeology
war artefact analysis
War Time
Young Men
ypres
Ypres Salient

Product details

  • ISBN 9780415450706
  • Weight: 580g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Jul 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Contested Objects breaks new ground in the interdisciplinary study of material culture. Its focus is on the rich and varied legacy of objects from the First World War as the global conflict that defined the twentieth century. From the iconic German steel helmet to practice trenches on Salisbury Plain, and from the ‘Dazzle Ship’ phenomenon through medal-wearing, diary-writing, trophy collecting, the market in war souvenirs and the evocative reworking of European objects by African soldiers, this book presents a dazzling array of hitherto unseen worlds of the Great War.

The innovative and multidisciplinary approach adopted here follows the lead established by Nicholas J. Saunders’ Matters of Conflict (Routledge 2004), and extends its geographical coverage to embrace a truly international perspective. Australia, Africa, Italy, Germany, France, Belgium and Britain are all represented by a cross-disciplinary group of scholars working in archaeology, anthropology, cultural history, art history, museology, and cultural heritage. The result is a volume that resonates with richly documented and theoretically informed case studies that illustrate how the experiences of war can be embodied in and represented by an endless variety of artefacts, whose ‘social lives’ have endured for almost a century and that continue to shape our perceptions of an increasingly dangerous world.

Nicholas J. Saunders, Paul Cornish