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Continental Divides
A01=Rachel Adams
abolition
anita brenner
anzaldua
Author_Rachel Adams
black
blackfoot
blackness
borderlands
borders
canada
Category1=Non-Fiction
Category=DSB
Category=JBCC
Category=NL-DS
Category=NL-JF
chicano
community
conflict
contact
COP=United States
crime
crossing
cultural geography
detective fiction
diaspora
disavowal
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
escape
exchange
film
Format=BB
freedom
fugitive
gayl jones
guatemala
history
HMM=229
IMPN=University of Chicago Press
indigenous
ISBN13=9780226005515
jack kerouac
john farrow
Language_English
literature
long goodbye
mexico
modernism
nafta
nonfiction
north america
PA=To order
passage
PD=20100108
Price=€50 to €100
PS=Active
PUB=The University of Chicago Press
race
racism
raymond chandler
slavery
southwest
Subject=Literature: History & Criticism
Subject=Society & Culture : General
tolerance
traffic
transnationalism
travel
tribe
united states
WMM=152
Product details
- ISBN 9780226005515
- Weight: 510g
- Dimensions: 15 x 23mm
- Publication Date: 01 Dec 2009
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
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North America is more a political and an economic invention than a place people call home. Nonetheless, the region shared by the United States and its closest neighbors is an intriguing frame for comparative American studies. "Continental Divides" is the first book to study the patterns of contact, exchange, conflict, and disavowal among cultures that span the borders of Canada, the United States, and Mexico. Rachel Adams considers a broad range of literary, filmic, and visual texts that exemplify cultural traffic across North American borders. She investigates how our understanding of key themes, genres, and periods within U.S. cultural study is deepened, and in some cases transformed, when Canada and Mexico enter the picture. How, for example, does the work of the iconic American writer Jack Kerouac read differently when his Franco-American origins and Mexican travels are taken into account? Or how would our conception of American modernism be altered if Mexico were positioned as a center of artistic and political activity?
In this engaging analysis, Adams charts the lengthy and often unrecognized traditions of neighborly exchange, both hostile and amicable, that have left an imprint on North America's varied cultures.
Rachel Adams is associate professor of English at Columbia University and the author of Sideshow U.S.A.: Freaks and the American Cultural Imagination, also published by the University of Chicago Press.
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