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Continuity and Crisis in German Cinema, 1928-1936
Continuity and Crisis in German Cinema, 1928-1936
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A32=Barbara Hales
A32=Bastian Heinsohn
A32=Brook Henkel
A32=Christian Rogowski
A32=Kalani Michell
A32=Kevin B. Johnson
A32=Professor Anjeana K. Hans
Age Group_Uncategorized
Age Group_Uncategorized
anthropology
automatic-update
B01=Barbara Hales
B01=Mihaela Petrescu
B01=Valerie Weinstein
Category1=Non-Fiction
Category=APFA
Category=ATFA
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European history
film scholarship
film studies
German cinema
history of film
Hitler
Language_English
media studies
Nazism
PA=Available
Price_€100 and above
PS=Active
sociology
softlaunch
twentieth century Germany
World War II
Product details
- ISBN 9781571139351
- Weight: 650g
- Dimensions: 152 x 229mm
- Publication Date: 20 Oct 2016
- Publisher: Boydell & Brewer Ltd
- Publication City/Country: US
- Product Form: Hardback
- Language: English
New essays examining the differences and commonalities between late Weimar-era and early Nazi-era German cinema against a backdrop of the crises of that time.
Hitler's Machtergreifung, or seizure of power, on January 30, 1933, marked the end of the Weimar Republic and the beginning of the Third Reich, and German film scholarship has generally accepted this date as the break between Weimar and Nazi-era film as well. This collection of essays interrogates the continuities and discontinuities in German cinema before and after January 1933 and their relationship to the various crises of the years 1928 to 1936in seven areas: politics, the economy, concepts of race and ethnicity, the making of cinema stars, genre cinema, film technologies and aesthetics, and German-international film relations. Focusing both on canonical and lesser-known works, the essays analyze a representative sample of films and genres from the period. This book will be of interest to scholars and students of Weimar and Third Reich cinema and of the sociopolitical, economic, racial, artistic, and technological spheres in both late Weimar and the early Third Reich, as well as to film scholars in general.
Contributors: Paul Flaig, Margrit Frölich, Barbara Hales, Anjeana Hans, Bastian Heinsohn, Brook Henkel,Kevin B. Johnson, Owen Lyons, Richard W. McCormick, Kalani Michell, Mihaela Petrescu, Christian Rogowski, Valerie Weinstein, Wilfried Wilms.
Barbara Hales is Associate Professor of History at the University of Houston-Clear Lake. Mihaela Petrescu is Visiting Lecturer at the University of Pittsburgh. Valerie Weinstein is Assistant Professor of Women's, Gender, and Sexuality Studies and German Studies at the University of Cincinnati.
Anjeana K. Hans is Associate Professor of German Studies at Wellesley College.
Continuity and Crisis in German Cinema, 1928-1936
€107.99
