Contradictory Indianness

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A01=Atreyee Phukan
Age Group_Uncategorized
Age Group_Uncategorized
art
Author_Atreyee Phukan
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Caribbean
Caribbean Studies
Category1=Non-Fiction
Category=DS
colonization
COP=United States
creole
creolization
culture
Delivery_Delivery within 10-20 working days
Desi
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Harold Sonny Ladoo
immigrants
immigration
indentured servitude
Indian
Indo-Caribbean
Ismith Khan
LalBihari Sharma
Language_English
Literature
migrants
migration
music
PA=Available
Price_€20 to €50
PS=Active
Shani Mootoo
softlaunch
South Asian
Totaram Sanadhya

Product details

  • ISBN 9781978829107
  • Weight: 4g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Jul 2022
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their reimagining of Indianness in the region. Whereas, for instance, forms of Indo-Caribbean cultural expression in music, cuisine, or religion are more readily accepted as creolizing (thus, Caribbeanizing) processes, an Indo-Caribbean literary imaginary has rarely been studied as such. Discussing the work of Ismith Khan, Harold Sonny Ladoo, Totaram Sanadhya, LalBihari Sharma, and Shani Mootoo, Contradictory Indianness maintains that the writers' engagement with the regional and transnational poetics of the Caribbean underscores symbolic bridges between cultural worlds conventionally set apart—the Africanized and Indianized—and distinguishes between cultural worlds assumed to be the same—indenture and South Asian Indianness. This book privileges Indo-Caribbean fiction as a creolizing literary imaginary to broaden its study beyond a narrow canon that has, inadvertently or not, enabled monolithic and unidimensional perceptions of Indian cultural identity and evolution in the Caribbean, and continued to impose a fragmentary and disconnected study of (post)indenture aesthetics within indenture's own transnational cartography.
ATREYEE PHUKAN is an associate professor of English at the University of San Diego in California. She is the co-editor of South Asia and Its Others: Reading the Exotic, and co-editor of Home and the World: South Asia in Transition.

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