Cornell '77

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1977
A01=Peter Conners
Acid Tests
Age Group_Uncategorized
Age Group_Uncategorized
Alternative rock
American Beauty
American History
Art rock
audiophile
Author_Peter Conners
automatic-update
band
Barton Hall
Betty boards
Betty cantor-jackson
Blues rock
Category1=Non-Fiction
Category=AVGP
Category=AVH
Category=AVLP
Category=AVN
Category=AVP
Category=AVX
chamber music
Classic rock
classical
concert
COP=United States
Cornell University
cultural history
Dark Star
dead and co
deadhead history
Deadheads
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Fare Thee Well
Grateful Dead
Grateful Dead Family
Grateful Dead history
Improvisation
Jam band
Jerry Garcia
Language_English
Library of congress
Live performances
music
PA=Available
performance
Price_€20 to €50
PS=Active
Psychedelic rock
Ripple
rock music
show
social history
softlaunch
Terrapin Station
Truckin'
Wall of Sound

Product details

  • ISBN 9781501704321
  • Weight: 907g
  • Dimensions: 140 x 216mm
  • Publication Date: 11 Apr 2017
  • Publisher: Cornell University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell. Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings-referred to as "Betty Boards"-began to circulate among Deadheads, the reputation of the Cornell '77 show grew exponentially. With time the show at Barton Hall acquired legendary status in the community of Deadheads and audiophiles. 

Rooted in dozens of interviews-including a conversation with Betty Cantor-Jackson about her recording-and accompanied by a dazzling selection of never-before-seen concert photographs, Cornell '77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America's most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads readers through a song-by-song analysis of the performance, from "New Minglewood Blues" to "One More Saturday Night," and conveys why, forty years later, Cornell '77 is still considered a touchstone in the history of the band.

As Conners notes in his Prologue: "You will hear from Deadheads who went to the show. You will hear from non-Deadhead Cornell graduates who were responsible for putting on the show in the first place. You will hear from record executives, academics, scholars, Dead family members, tapers, traders, and trolls. You will hear from those who still live the Grateful Dead every day. You will hear from those who would rather keep their Grateful Dead passions private for reasons both personal and professional. You will hear stories about the early days of being a Deadhead and what it was like to attend, and perhaps record, those early shows, including Cornell '77."

Peter Conners has written extensively about music and counterculture, including his books Growing Up Dead: The Hallucinated Confessions of a Teenage Deadhead, JAMerica: The History of the Jam Band and Festival Scene, and White Hand Society: The Psychedelic Partnership of Timothy Leary and Allen Ginsberg. He lives in Rochester, NY, where he is Publisher of BOA Editions, Ltd.

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