Corporate Life in the Digital Music Industry

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A01=Dr. Toby Bennett
A01=Toby Bennett
age
Age Group_Uncategorized
Age Group_Uncategorized
artist
Author_Dr. Toby Bennett
Author_Toby Bennett
automatic-update
behind the scenes
bureaucracy
Category1=Non-Fiction
Category=AVH
Category=AVP
Category=AVX
Category=KJU
Category=KJZ
Category=KNTF
conflict
COP=United States
corporate
decision-making
Delivery_Pre-order
digital music
enterprise
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
gender
innovation
Language_English
major record label
organization
PA=Not yet available
power
Price_€20 to €50
private
producer
PS=Forthcoming
record label
recording industry
softlaunch
transformation
work

Product details

  • ISBN 9781501387227
  • Weight: 400g
  • Dimensions: 152 x 228mm
  • Publication Date: 19 Sep 2024
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Drawing on a deep and long-term first-hand engagement with major labels in the early years of the 21st century, this book sheds new light ‘behind the scenes’, at a time of drastic and far-reaching transformation. Refreshingly, it centres not on artists and the most powerful decision-makers but on everyday experiences of work and back-office corporate employees.

Doing so reveals the internal activities and conflicts that, while hidden from public view, enable processes of change: from paperwork, data systems, managerial pressures and redundancies to graduate training schemes, departmental politics and shared playlists, providing a new route into understanding the broader cultures and infrastructures of the global recording industry. This oft-forgotten office work tells a different story of contemporary digital music , one more sensitive to the complex intersections that texture the conduct of work and organizational life.

Toby Bennett teaches and researches Media, Culture and Organization at the University of Westminster, UK. He has previously worked in rights management and with labels, entrepreneurs and policy actors in arts, creative and music industries.

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