Corpse Encounters in Spanish and Latin American Narrative Fiction

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A01=Glen S. Close
Author_Glen S. Close
autopsy metaphor
Category=DSBH
Category=JKVM
contemporary fiction
crime writing
crime-genre
Cristina Rivera Garza
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fernando Vallejo
forthcoming
Gabriel Garcia Marquez
Juan Marse
Latin American studies
Liliana Heer
Manuel Puig
narrative representations of death
necroecology
organized crime
Pio Baroja
political repression
political repression fiction
political violence
posthumanist theory
Rafael Chirbes
social violence literature
violence

Product details

  • ISBN 9781041246183
  • Dimensions: 152 x 229mm
  • Publication Date: 29 Jun 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Corpse Encounters in Spanish and Latin American Narrative Fiction: Tantos muertos takes a historically and geographically broad view to argue for the central significance of corpses in modern and contemporary Spanish and Latin American narrative fiction.

It offers critical readings of 20 novels and short stories from nine countries to show how modern and contemporary prose fiction addresses the human death crisis triggered by corpse encounters. It demonstrates that literary corpse encounters register histories of social violence that include both political repression and the current epidemic of organized criminality in Latin America. The corpse is shown to function in four primary ways: as an index of historical violence, as a figure of a social body rent by dissolutive forces, as a metaliterary figure of the narrative text itself, and as evidence of a necroecological sensibility shaped by post-Christian and posthumanist views of death.

The book traces the rise of this necroecological sensibility and proposes that the autopsied corpse emerges as a prominent figure for the literary text itself, as authors liken writing and narration to post-autopsy stitching. Authors studied include Pío Baroja, Rafael Chirbes, Gabriel García Márquez, Manuel Puig and Cristina Rivera Garza.

Glen S. Close is Professor of Spanish at the University of Wisconsin-Madison. He is the author of La imprenta enterrada. Arlt, Baroja y el imaginario anarquista (Beatriz Viterbo Editora, 2000), Contemporary Hispanic Crime Fiction. A Transatlantic Discourse on Urban Violence (Palgrave Macmillan, 2008) and Female Corpses in Crime Fiction. A Transatlantic Perspective (Palgrave Macmillan, 2018).

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