Cosmic Humour and Philosophical Pessimism in Contemporary Culture

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A01=Oliver Rendle
afropessimism
Author_Oliver Rendle
capitalism
Category=DSBH
Category=FL
Category=WH
comedy
contemporary politics
cultural materialism
cultural resonance
Discworld
Douglas Adams
eq_bestseller
eq_biography-true-stories
eq_fiction
eq_humour
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science-fiction
Everything Everywhere All at Once
film
forthcoming
Hitchhiker's Guide to the Galaxy
horror
humour
Jason Pargin
literature
Monty Python
neoliberalism
parody
pessimism
philosophy
political despondency
satire
science fiction
techno-nihilism
television
Terry Pratchett
The Sellout

Product details

  • ISBN 9781350522862
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Jul 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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An in-depth look at the concept of cosmic humour, a politically influential, philosophically pessimistic form of humour, exploring the popularity of this comedic form across Anglophone culture since 1969 in literature, film and television. Cosmic Humour uses a cultural materialist approach to demonstrate the existence and significance of an as-yet-overlooked turn in popular culture, connecting intergalactic hitchhikers to discworlds and Black segregationists by explaining how such absurd images spring from the rise of neoliberalism and political despondency.

Oliver Rendle examines the development and political value of cosmic humour through novels by Douglas Adams, Terry Pratchett, Jason Pargin and Paul Beatty as well as the work of Monty Python and the Daniels' Everything Everywhere All at Once. Along the way, he demonstrates how this form of humour is reflective of and reproduces an increasingly pervasive loss of faith in established ideological and political institutions. Charting cosmic humour’s evolution from post-war British satire to more diverse and politically proactive developments after the millennium, this book brings to the fore the increasingly widespread and insistent anxieties that link Oxbridge dons to parodic cosmic horror and the satirical potential of Afropessimism. Addressing overlooked intersections between horror, humour and contemporary politics, Cosmic Humour reveals how and why a form of humour that articulates a pessimistic outlook has become increasingly prevalent since 1969.

Oliver Rendle is a writer and independent researcher based in Bristol (UK). His research appears in Pulse: The Journal of Science and Culture and Game Studies. He received his Ph.D. from Manchester Metropolitan University Centre for Gothic Studies in 2022, specialising in humour theory and philosophical pessimism.

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