Cosmopolitan Culture and Consumerism in Chick Lit

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A01=Caroline J. Smith
advice
Ally McBeal
Author_Caroline J. Smith
bridget
Bridget's Life
Bridget’s Life
Category=DS
Chick Lit
Cigarette Girl
consumer culture analysis
diary
Dirty Girls Social Club
domestic
Domestic Advice Manuals
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
female readership and consumption patterns
fielding
gender studies
helen
Hollywood Romantic Comedies
Hula Hoops
Jane Rosenal
jones'
magazines
Main Character
manuals
media influence on identity
narrative voice in literature
Real Life Readers
Romantic Comedies
romantic relationship studies
Schneider's Book
Schneider’s Book
Self-help Authors
Self-help Books
Self-help Texts
Single Girl
UK Edition
Van Slooten
Vivian's Book
Vivian’s Book
Woman's Home Companion
Woman’s Home Companion
Women's Cultural Productions
Women's Magazines
women's popular fiction
Women's Reading Practices
womens
Women’s Cultural Productions
Women’s Magazines
Women’s Popular Fiction
Women’s Reading Practices

Product details

  • ISBN 9780415956628
  • Weight: 408g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Nov 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Cosmopolitan Culture and Consumerism in Chick Lit focuses on the literary phenomenon popularly known as chick lit, and the way in which this genre interfaces with magazines, self-help books, romantic comedies, and domestic-advice publications. This recent trend in women’s popular fiction, which began in 1996 with the publication of British author Helen Fielding’s novel Bridget Jones’s Diary, uses first person narration to chronicle the romantic tribulations of its young, single, white, heterosexual, urban heroines. Critics of the genre have failed to fully appreciate chick lit’s complicated representations of women as both readers and consumers. In this study, Smith argues that chick lit questions the "consume and achieve promise" offered by advice manuals marketed toward women, subverting the consumer industry to which it is so closely linked and challenging cultural expectations of women as consumers, readers, and writers, and of popular fiction itself.

Caroline J. Smith is an Assistant Professor in the University Writing Program at the George Washington University, US. She has published in Women’s Studies: An Interdisciplinary Journal and Feminist Collections: A Quarterly Review of Women’s Studies Resources. Her research interests include contemporary women’s popular fiction and popular culture.

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