Cosmopolitan Memory in Europe's 'Backwaters'

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A01=Rodanthi Tzanelli
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civility
Colonel's Regime
Colonel’s Regime
community
creative industries
cultural heritage
cultural memory and identity politics
cultural studies
development studies
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Ethno Cultural Difference
ethnography
Extended Family Obligations
film-induced tourism
Frankfurt School Scholars
Greece
Greek regionalism
heritage tourism studies
IRA Campaign
media studies
migration
Mikis Theodorakis
mobility studies
Nana Mouskouri
national character
national identity formation
NATO Troop
NATO's Target
NATO’s Target
Non-communicative Action
Northern Sporades
Oriental Craft
Original Theft
participatory media
Photo Graphs
political anthropology
regional studies
religious heritage analysis
research methods
Rodanthi Tzanelli
social theory
tourist studies
Tzanelli 2007a
Tzanelli 2008b
urban studies
Vice Versa
visual methods
West Germany
Western modernity critique
Wider Israeli Society
WTC Tower

Product details

  • ISBN 9780415620659
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 May 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Cosmopolitan Memory in Europe’s ‘Backwaters’ reconsiders the definitional relationships of ‘national character’ and ‘national heritage’ in the context of Western industrial modernity. Taking as a case study the Greek islands of Skiathos and Skopelos which served as cinematic locations for the blockbuster Mamma Mia! (2008), the book explores how national identity - once shaped by political, cultural and religious practices - can now be reduced to little more than an ideal, created and sold globally by Western industries such as tourism and film.

Tzanelli argues how the film encouraged the development of regional competitions that further enhanced the emotive potential of a Greek nationalist discourse that projects the blame for regional favouritism onto Western agents and the nation-state itself. It also takes into consideration the historical background of this controversy, which finds roots in the religious heritage of the South-eastern Mediterranean region – in particular, the notions of Byzantine Christianity which the Greeks used to set against the Islamic traditions of their Ottoman colonisers to affirm their European civility.

Rodanthi Tzanelli is Lecturer in Sociology and Deputy Director, Centre for Ethnicity and Racism Studies, at the University of Leeds. She has published widely on national identity, the anthropology of cosmopolitanism and the politics of cultural industries. She is author of The Cinematic Tourist: Explorations in globalization, culture and resistance (2007), Nation-building and Identity in Europe: The dialogics of reciprocity (2008) and The 'Greece' of Britain and the 'Britain' of Greece (2009).

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