A01=Alan Cressler
A01=Erin E. Dunsmore
A01=Jan F. Simek
A01=Johannes Loubser
A01=Sierra M. Bow
Alabama
anthropomorphs
archaeology
Author_Alan Cressler
Author_Erin E. Dunsmore
Author_Jan F. Simek
Author_Johannes Loubser
Author_Sierra M. Bow
Category=AF
Category=AGA
Category=JBSL11
Category=NK
cave art
Cherokees
Chickasaws
conservation
cosmological principles
cultural heritage
Cumberland Plateau
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
glyphs
graffiti rmoval
Mississippian Period
motifs
Native American cosmos
Native American history
paint analysis
paint chemistry
Painted Bluff
pictographs
religious icons
rock art
rock art documentation
rock art preservation
southeastern archaeology
southeastern Native Americans
stratigraphy
Tennessee River
Tennessee River Valley
Tennessee Valley Authority
vandalism
What is Painted Bluff?
Product details
- ISBN 9780817320850
- Weight: 1175g
- Dimensions: 228 x 304mm
- Publication Date: 23 Feb 2021
- Publisher: The University of Alabama Press
- Publication City/Country: US
- Product Form: Hardback
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The definitive rock art book on Painted Bluff, Alabama
Containing more than 130 paintings and engravings, Painted Bluff is perhaps the most elaborate prehistoric pictograph site east of the Mississippi River. Positioned at several levels on a dramatic sandstone cliff along the Tennessee River in northern Alabama, the spectacular paintings and engravings depict mythical creatures, dancing humans, and mystical portals. The Cosmos Revealed: Precontact Mississippian Rock Art at Painted Bluff, Alabama is the first complete description and interpretation of one of the most important archaeological sites in eastern North America. Using art, the site materializes a model or 'cosmogram' of the Mississippian Native American view of the universe and provided connections between the visible and invisible worlds for Native spiritual leaders and other visitors to engage.
Discovered in the early 1800s, the site became known as 'Painted Bluff' because of its pictographs, but inexplicably it has only recently been subjected to the intensive archaeological study it deserves. Under the auspices of the Tennessee Valley Authority, the authors of this volume have documented and assessed the site since 2005, and efforts have been made to reverse some of the vandalism that has occurred over many decades and to stabilize natural degradation of the cliff and the artwork it contains.
In the course of this documentation, more than one hundred remarkable prehistoric paintings have been recorded, mapped, and photographed on the cliff face. This book synthesizes the research done on the site to date and covers the entire site. Richly illustrated chapters cover the historical background, geology and archaeology, documentation methods, types of rock art, stratigraphy, paint recipes, TVA management, graffiti removal, and a summary that broadly synthesizes the meaning, timeframe, artistry, organization, conceptual boundaries, and the cosmos revealed. The book features numerous color photographs and a complete catalog of the pictographs and petroglyphs at the site.
Containing more than 130 paintings and engravings, Painted Bluff is perhaps the most elaborate prehistoric pictograph site east of the Mississippi River. Positioned at several levels on a dramatic sandstone cliff along the Tennessee River in northern Alabama, the spectacular paintings and engravings depict mythical creatures, dancing humans, and mystical portals. The Cosmos Revealed: Precontact Mississippian Rock Art at Painted Bluff, Alabama is the first complete description and interpretation of one of the most important archaeological sites in eastern North America. Using art, the site materializes a model or 'cosmogram' of the Mississippian Native American view of the universe and provided connections between the visible and invisible worlds for Native spiritual leaders and other visitors to engage.
Discovered in the early 1800s, the site became known as 'Painted Bluff' because of its pictographs, but inexplicably it has only recently been subjected to the intensive archaeological study it deserves. Under the auspices of the Tennessee Valley Authority, the authors of this volume have documented and assessed the site since 2005, and efforts have been made to reverse some of the vandalism that has occurred over many decades and to stabilize natural degradation of the cliff and the artwork it contains.
In the course of this documentation, more than one hundred remarkable prehistoric paintings have been recorded, mapped, and photographed on the cliff face. This book synthesizes the research done on the site to date and covers the entire site. Richly illustrated chapters cover the historical background, geology and archaeology, documentation methods, types of rock art, stratigraphy, paint recipes, TVA management, graffiti removal, and a summary that broadly synthesizes the meaning, timeframe, artistry, organization, conceptual boundaries, and the cosmos revealed. The book features numerous color photographs and a complete catalog of the pictographs and petroglyphs at the site.
Jan F. Simek is Distinguished Professor of Science in the anthropology department at the University of Tennessee, Knoxville, and president emeritus of the University of Tennessee. He has carried out extensive research in Paleolithic caves in Europe. Since 1992, he has directed fieldwork at prehistoric cave art sites in the Southeast as leader of the University of Tennessee Cave Archaeology Research Team. His work at Painted Bluff dates to 2005. He has coauthored numerous articles and book chapters on cave art.
Erin E. Dunsmore is senior archaeological specialist with the Tennessee Valley Authority in Knoxville. She is involved with site management and protection and is a rock art expert at the agency. She is coeditor of TVA Archaeology: Seventy-Five Years of Prehistoric Site Research.
Johannes Loubser is an archaeologist and rock art specialist at Stratum Unlimited, Alpharetta, Georgia. He was trained in rock art analysis in South Africa, where he has done a substantial amount of basic research. He is expert in the assessment and conservation of damaged rock art sites.
Sierra M. Bow is a PhD student in anthropology at the University of Tennessee, Knoxville. She studies the chemistry and technology of precontact paints in the Southeast.
Alan Cressler is a hydrologic technician at the US Geological Survey and a renowned photographer specializing in natural history and prehistory as well as a cave explorer who has visited more than 5,000 caves worldwide. He has been the principal photographer for the University of Tennessee Cave Archaeology Research Team for two decades.
Erin E. Dunsmore is senior archaeological specialist with the Tennessee Valley Authority in Knoxville. She is involved with site management and protection and is a rock art expert at the agency. She is coeditor of TVA Archaeology: Seventy-Five Years of Prehistoric Site Research.
Johannes Loubser is an archaeologist and rock art specialist at Stratum Unlimited, Alpharetta, Georgia. He was trained in rock art analysis in South Africa, where he has done a substantial amount of basic research. He is expert in the assessment and conservation of damaged rock art sites.
Sierra M. Bow is a PhD student in anthropology at the University of Tennessee, Knoxville. She studies the chemistry and technology of precontact paints in the Southeast.
Alan Cressler is a hydrologic technician at the US Geological Survey and a renowned photographer specializing in natural history and prehistory as well as a cave explorer who has visited more than 5,000 caves worldwide. He has been the principal photographer for the University of Tennessee Cave Archaeology Research Team for two decades.
