A01=David Lloyd
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Author_David Lloyd
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Category1=Non-Fiction
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Category=NH
colonialism
COP=United Kingdom
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innovation
Irish poetry
Language_English
modernism
modernity
PA=Available
poetics
Price_€20 to €50
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softlaunch
Product details
- ISBN 9781474489812
- Dimensions: 156 x 234mm
- Publication Date: 17 Jul 2023
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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Provides a new approach to contemporary Irish poetry
Offers a fresh approach to Irish poetry, bringing together well-known poets with new and exciting innovative work
Combines illuminating close readings of poetry with reflections grounded in critical and aesthetic theory
Introduces a number of contemporary Irish poets whose work has not received sufficient critical attention
Puts Irish poetry in dialogue with major debates and concerns of European and American poetics
Challenges conventional assumptions about the forms and values of Irish poetry
This study puts contemporary Irish poetry in dialogue with major debates and concerns of European and American poetics. David Lloyd tracks the traits of Irish poetic modernism, from fragmentation to the suspicion of representation, to nineteenth-century responses to the rapid and unsettling effects of Ireland's precocious colonial modernity, such as language loss and political violence. He argues that Irish poetry's inventiveness is driven by the need to find formal means to engage with historical conditions that take from the writer the customary certainties of cultural continuity, identity and aesthetic or personal autonomy, rather than by poetic innovation for its own sake. This reading of Irish poetry understands the innovative impetus that persists through Irish poetry since the nineteenth century as a counterpoetics of modernity. Opening with chapters on Mangan and Yeats, the book then turns to detailed discussions of Trevor Joyce, Maurice Scully, and Catherine Walsh; major Irish contemporary poets never before the focus of a book-length study.
David Lloyd is Distinguished Professor of English at the University of California, Riverside. His most recent books are Under Representation: The Racial Regime of Aesthetics (2019) and Beckett’s Thing: Theatre and Painting (Edinburgh University Press, 2016).
