Counterpoint and Compositional Process in the Time of Dufay
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Bourdon Und Fauxbourdon
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Cantus Firmus
Category=AVA
Category=AVLA
Chanson Composition
chords
Contratenor Altus
Discant Voice
early music scholarship
English Motets
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fauxbourdon
fifteenth century composition
firmus
Gab
German musicology translation
Guillaume De Machaut
harmonic structure
heinrich
Heinrich Besseler
Imperfect Consonances
Isorhythmic Motet
late medieval harmonic analysis
Late Medieval Music
Major Minor Tonality
medieval music theory
Middle Voice
Missa Sine Nomine
polyphonic analysis
Secundus Tenor
sixth
Sixth Chord
structural
Structural Voices
Summer Canon
Tonal Counterpoint
Tonal Harmony
Trienter Codices
und
Vertical Sonority
Product details
- ISBN 9780815323464
- Weight: 960g
- Dimensions: 138 x 216mm
- Publication Date: 01 Oct 1997
- Publisher: Taylor & Francis Inc
- Publication City/Country: US
- Product Form: Hardback
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During the 1950s and 1960s, Austro-German scholars made decisive advances in developing concepts to account for harmonic processes in late medieval music. Despite the considerable potential these ideas hold for analysis and criticism of early music, they have hitherto exerted little influence outside their countries of origin. In order to render this valuable literature more immediately accessible to English-speaking students and scholars, this book presents translations of twelve seminal articles that originally appeared during the years 1948-1967, along with a comprehensive introductory chapter detailing the evolution of competing theories and terminology.
