Craft and Art of Scenic Design

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A01=Robert Klingelhoefer
advanced scenic process strategies
Author_Robert Klingelhoefer
BFA
BFA Program
Bristol Board
Category=AB
Category=ATD
Charlotte's Web
Charlotte’s Web
DESIGNABLE Idea
designer
DSR
eclectic
Eclectic Society
elevations
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Foam Board
fulton
Fulton Theatre
Illustration Board
Jo Mielziner's Design
Jo Mielziner’s Design
Lineset Schedule
MDF
Model Box
Modern Stage Design
oor
paint
Paint Elevations
performance space analysis
production collaboration
Scenic Elements
Sliding Panels
stage
Stage Design
Stage Fl Oor
stagecraft pedagogy
street
theatre
Theatre Communications Group
theatrical scenography
union contract guidance
USL
Vice Versa
visual storytelling techniques
walnut
Walnut Street Theatre

Product details

  • ISBN 9781138937642
  • Weight: 960g
  • Dimensions: 216 x 279mm
  • Publication Date: 17 Jan 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Craft and Art of Scenic Design: Strategies, Concepts, and Resources explores how to design stage scenery from a practical and conceptual perspective.

Discussion of conceptualizing the design through script analysis and research is followed by a comprehensive overview of execution: collaboration with directors and other designers, working with spaces, developing an effective design process, and the aesthetics of stage design. This book features case studies, key words, tip boxes, definitions, and chapter exercises. Additionally, it provides advice on portfolio and career development, contracts, and working with a union.

This book was written for university-level Scenic Design courses.

Robert Klingelhoefer is Associate Professor of Scenic Design and Director of the Design and Technology Program in the School of Theatre and Dance at West Virginia University. Mr. Klingelhoefer has previously been Resident Designer for the Fulton Theatre in Lancaster, Pennsylvania; the Contemporary American Theatre Festival in Shepherdstown, West Virginia; and the Jean Cocteau Repertory Theatre and Pan Asian Repertory Theatre, both in New York City. His work has been seen nationwide for companies including the Walnut Street Theatre, Capital Repertory Theatre, the Asolo Theatre, Phoenix Theatre Ensemble, and the New York State Theatre Institute among many others. Internationally he has had productions performed at the International Festival of Experimental Theatre in Cairo, Egypt, and the Market Theatre in Johannesburg, South Africa. He has been a member of United Scenic Artists, Local 829, since 1983.

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