Craft of Criticism

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advanced media research methodologies
Amanda Ann Klein
audience research techniques
Bill Kirkpatrick
British Cultural Studies Tradition
Category=ATF
Category=ATJ
Category=JBCC
Category=JBCT
CBS's Cultivation
CBS’s Cultivation
critical media studies
cultural media studies
Cynthia Baron
Cynthia Chris
Daniel Marcus
Diane Negra
Digital Humanities
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eq_nobargain
eq_non-fiction
eq_society-politics
Eric Freedman
ethnographic media studies
Flow TV
Gangster Film
Grand Theft Auto
Green Porno
Havens Timothy
Independent Woman
Internationalizing Internet Studies
Jacob Smith
Jason Mittell
Jeremy G. Butler
Jessa Lingel
Jonathan Gray
LGBTQ Youth
Madhavi Mallapragada
Mary Celeste Kearney
Mary L. Gray
Matt Hills
Matthew Thomas Payne
media and cultural studies
media criticism
media policy analysis
media studies
media theory
Miriam Posner
MTM Production
Nanny 911
Nina B. Huntemann
Norma Coates
Patrick Burkart
political economy approach
Popular Music Scholars
Popular Music Studies
Psychoanalytic Film Theory
Reality Tv
Reality Tv Participant
Reality Tv Show
research methods
Ron Becker
Rosalind Gill
Running Gags
Shanti Kumar
Software Studies
Suzanne Leonard
Ted Nannicelli
television studies
textual analysis methods
Todd McGowan
Tv History
Tv Melodrama
Tv Show
Tv Study
Veronica Mars
Victoria E. Johnson
visual style critique
Young Man

Product details

  • ISBN 9780415716307
  • Weight: 730g
  • Dimensions: 178 x 254mm
  • Publication Date: 29 Jun 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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With contributions from 30 leading media scholars, this collection provides a comprehensive overview of the main methodologies of critical media studies. Chapters address various methods of textual analysis, as well as reception studies, policy, production studies, and contextual, multi-method approaches, like intertextuality and cultural geography. Film and television are at the heart of the collection, which also addresses emergent technologies and new research tools in such areas as software studies, gaming, and digital humanities. Each chapter includes an intellectual history of a particular method or approach, a discussion of why and how it was used to study a particular medium or media, relevant examples of influential work in the area, and an in-depth review of a case study drawn from the author's own research. Together, the chapters in this collection give media critics a complete toolbox of essential critical media studies methodologies.

Michael Kackman is Associate Teaching Professor in the Department of Film, Television, and Theatre at the University of Notre Dame, where he teaches courses in the history and criticism of U.S. television, Cold War cultural history, nationhood and political culture, and history and memory practices in everyday life. He is the author of Citizen Spy: Television, Espionage, and Cold War Culture (University of Minnesota Press, 2005), and co-editor of Flow TV: Television in the Age of Media Convergence (Routledge, 2010).

Mary Celeste Kearney is Director of Gender Studies and Associate Professor of Film, Television, and Theatre at the University of Notre Dame. She is author of Girls Make Media (Routledge, 2006) and Gender and Rock (Oxford, 2017). She is editor of The Gender and Media Reader (Routledge, 2011) and Mediated Girlhoods: New Explorations of Girls' Media Culture (Peter Lang, 2011), as well as co-editor (with Morgan Blue) of Mediated Girlhoods second volume (Peter Lang, 2018). She is academic editor of the book series Routledge Research in Gender, Sexuality, and Media, and serves on the boards of several academic journals.