Crafting Autoethnography

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arts-based research
Autoethnographic Performance
Autoethnographic Practices
Autoethnographic Text
Autoethnography
autoethnography and class
autoethnography and creative practice
autoethnography and creative process
autoethnography and creativity
autoethnography and making
autoethnography and the arts
Camino De Santiago
Category=JHB
Confessional Writing
creating artifacts
creative methodologies
creative ouputs
creative process
creative research methods
cultural narratives
Dad Died
Danek
Drawn Back
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Face To Face
Follow
Goldsmiths
Holding
Hundred Acre Wood
identity formation
Indigenous Collections
Influence Cultural Policy
making
making artifacts
Neoliberal University
Performance Development Review
Performative Autoethnography
Persona
practice based research
practice-based autoethnographic research
practitioner reflection
qualitative inquiry
qualitative methods
qualitative research
River Almond
Social Arts Practice
Wo
Young Man

Product details

  • ISBN 9781032313337
  • Weight: 400g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This collection explores how autoethnography is made. Contributors from sociology, education, counselling, the visual arts, textiles, drama, music, and museum curation uncover and reflect on the processes and practices they engage in as they craft their autoethnographic artefacts. Each chapter explores a different material or media, together creating a rich and stimulating set of demonstrations, with the focus firmly on the practical accomplishment of texts/artefacts.

Theoretically, this book seeks to rectify the hierarchical separation of art and craft and of intellectual and practical cultural production, by collapsing distinctions between knowing and making. In relation to connections between personal experience and wider social and cultural phenomena, contributors address a variety of topics such as social class, family relationships and intergenerational transmission, loss, longing and grief, the neoliberal university, gender, sexuality, colonialism, race/ism, national identity, digital identities, indigenous ways of knowing/making and how these are ‘storied’, curated and presented to the public, and our relationship with the natural world. Contributors also offer insights into how the ‘crafting space’ is itself one of intellectual inquiry, debate, and reflection.

This is a core text for readers from both traditional and practice-based disciplines undertaking qualitative research methods/autoethnographic inquiry courses, as well as community-based practitioners and students. Readers interested in creative practice, practitioner-research and arts-based research in the social sciences and humanities will also benefit from this book.

Jackie Goode is a Visiting Fellow in Qualitative Research in the School of Social Sciences and Humanities, Loughborough University, UK.

Karen Lumsden is a Lecturer in Sociology at the University of Aberdeen, UK.

Jan Bradford completed her PhD at the University of Edinburgh, UK, and is an independent researcher.