Create Meaning with Sound

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A01=Tony Angelini
auditory perception in theater
Author_Tony Angelini
Category=ATD
Category=ATDH
Category=AVX
Category=UYU
creative sound interpretation
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eq_bestseller
eq_computing
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eq_music
eq_nobargain
eq_non-fiction
forthcoming
narrative experience
narrative soundscapes
performance sound theory
philosophy of sound design in performance
sound design
sound designer
Sound for theatre
stagecraft education
Theatre
Theatre Design
Theatre Designer
theatrical acoustics

Product details

  • ISBN 9781032856780
  • Dimensions: 178 x 254mm
  • Publication Date: 10 Aug 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Create Meaning with Sound: Sound Design Theory for Live Theatre offers an artistic framework that connects philosophy, perception, and storytelling to the practice of theatrical sound design, mapping out a theory of sound design for the performing arts.

Drawing from history – from the amphitheaters of ancient Greece to the modern digitally-networked stage – the book traces how humans have used sound to shape emotion, convey truth, and deepen narrative experience. This work provides clear definitions of fundamental concepts such as intention, choice, and meaning, establishing a shared language for designers and collaborators alike. Moving beyond technical manuals, each chapter combines theory with practical reflection and creative exercises that encourage readers to develop their own artistic voice.

Designed for students, educators, and practitioners of Sound Design and Theatre Design, Create Meaning with Sound binds art and science to redefine sound design as a creative and interpretive art form in its own right. This book serves as both a classroom text and a creative reference, inviting readers to see themselves not merely as technicians but as storytellers who use sound to inspire emotion, provoke thought, and create meaning on stage and beyond.

Tony Angelini is a sound designer, author, podcaster, and creativity coach. With more than 25 years of experience in live theatre and over 300 productions to his credit both in the USA and internationally, he brings an artistic and human-centered approach to sound and storytelling. His work explores the intersection of creativity, technology, and the performing arts. He has composed two albums (Breathing Deeply and Bold Girls) and a book of poetry (Walking the Creeper), and he has contributed articles to Pro Audio Review Magazine.

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