Creative and Critical Projects in Classroom Music

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A01=Chris Philpott
A01=Gary Spruce
A01=John Finney
art education
Author_Chris Philpott
Author_Gary Spruce
Author_John Finney
Beatles
Beethoven
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Children's Musical Worlds
Children’s Musical Worlds
Classroom Music
Classroom Projects in Creative Music
composition
Creative classroom
Creative Music
Creative Music Making
Dense
dialogic practice
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Follow
Gateways
Hold
Jocelyn Pook
John Paynter
Keyboard
Mozart
Music Education
Music Making
Music Notation Software
Music Teachers
Musical creativity
Musical imagination
Peter Aston
Playback
Programmatic Music
Refocusing
School Music Classroom
Smooth
Sound and Silence
Soundscape
Soundscape Composition
teaching music
Vice Versa

Product details

  • ISBN 9780367417710
  • Weight: 680g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Oct 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Creative and Critical Projects in Classroom Music is both a celebration and extension of John Paynter and Peter Aston’s groundbreaking work on creative classroom music, Sound and Silence, first published in 1970.

Building on the central themes of the original work – the child as artist, the role of musical imagination and creativity, and the process of making music – the authors and contributors provide a contemporary response to the spirit and style of Sound and Silence. They offer reflections on the ideas and convictions underpinning Paynter and Aston’s work in light of scholarship developed during the intervening years. This critical work is accompanied by 16 creative classroom projects designed and enacted by contemporary practitioners, raising questions about the nature and function of music in education and society. In summary, this book aims to:

  • Celebrate seminal work on musical creativity in the classroom.
  • Promote the integration of practical, critical and analytical writing and thinking around this key theme for music education.
  • Contribute to initiating the next 50 years of thought in relation to music creativity in the classroom.

Offering a unique combination of critical scholarship and practical application, and published on the occasion of the 50th anniversary of Sound and Silence, themes from Paynter and Aston’s work are here given fresh context that aims to inspire a new generation of innovative classroom practice and to challenge current ways of thinking about the music classroom.

John Finney taught music in secondary schools before teaching at Reading University, Homerton College and the University of Cambridge, where he led the postgraduate secondary course in music education. He has published widely on the interface between public policy and classroom practice in music education.

Chris Philpott is Reader in Music Education at the University of Greenwich, London. He has written and edited books, articles, online texts and resources that are widely used in initial teacher education and academic music education programmes.

Gary Spruce began his career as a secondary school music teacher. He is now subject leader for the pre-service music teacher education course at Birmingham City University. He has published widely on music education, particularly focusing on the relationship between music education and social justice and the professional development of teachers.

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